# Film(ish) — True to film photo editing > Photo editor simulating analog film stocks with advanced color science and on-device processing. (iPhone/iPad app by Catalin Bridinel.) - Source: https://appshunter.io/ios/app/filmish/id6761363553 (this page in markdown: same URL + `.md`) - Developer: [Catalin Bridinel](https://appshunter.io/developer/1889130619) - Category: Photo & Video, Graphics & Design - Price: Free with in-app purchases - Rating: 4.10/5 from 11 App Store ratings · 6 written reviews indexed - Age rating: 4+ - Requires: iOS 17.0 · 32 MB - Languages: American English - Released: 2026-04-17 - Data updated: 2026-08-25 - Monetization: free - User reviews in markdown: https://appshunter.io/ios/app/filmish/id6761363553/reviews.md ## What is Film(ish)? Your phone takes sharp, clean, technically perfect photos. Film(ish) makes them feel real. Film(ish) simulates real analog film stocks – the way light scatters through emulsion layers, how silver halide grains develop unevenly, how highlight halation bleeds warmth into bright edges. The result isn't a look – it's your photo reimagined as if it was shot on film. WHAT MAKES IT REAL Every film stock in Film(ish) is built from real characteristic curves – the processing pipeline models real photographic phenomena: Grain that behaves the way silver halide crystals actually develop. Halation that bleeds warm glow around highlights. Diffusion – soft highlight roll-off that mimics a Pro-Mist filter on the lens. Dreamy without being blurry. Characteristic curves – the nonlinear way film maps light to density. Smooth highlight compression, rich shadow separation, and the organic tonal rolloff that digital cameras just don't do. Beautiful deep colors that feel real, not digital. From warm and candid to cinematic and moody. Cool editorial tones to punchy contrast. Classic black and white to rich, saturated color. Every stock is a complete system — not just a color grade, but a unique combination of curves, dye responses, and tonal character. FOR CASUAL SHOOTERS Pick a film stock. Adjust the strength. Export. That's it. Beautiful analog-looking photos in seconds. FOR COLOR NERDS Go deeper. Way deeper. Film(ish) gives you over 80 parameters across an 11-stage processing pipeline: Lift, Gamma, and Gain controls using the ASC-CDL standard — the same framework used in Hollywood color grading. Per-hue adjustments across 8 color zones in perceptually uniform color space. Print contrast curves. Dye saturation modeling based on Beer-Lambert absorption. Scene white balance via illuminant conversion. Split-toning. And more. This is a mobile app with desktop-grade color science. PRIVATE BY DESIGN Film(ish) processes everything on your device. No cloud uploads. No accounts. No tracking. No ads. Your photos stay yours. Works with RAW files, HDR photos with gain maps, and video — applying the full film emulation pipeline frame by frame. Export at full resolution in JPEG, HEIF, or TIFF. Buy once. Use forever. ## Key features - Authentic analog film simulation - Realistic grain and halation effects - Advanced color grading controls - On-device processing for privacy - RAW and video support - Export in JPEG, HEIF, or TIFF ## Pricing and in-app purchases Base price: Free. **One-time purchases** | Purchase | Price | Type | | --- | --- | --- | | Film(ish) Pro | $19.99 | one-time | ## Recent user reviews (6 of 6) All indexed reviews: https://appshunter.io/ios/app/filmish/id6761363553/reviews.md ### 1/5 — Vibe coded slop *2026-08-22* Do not pay for this. Just someone trying to make a quick buck. The implementation of many filters is poor. ### 3/5 — 🧐 *2026-08-07* Why does the app crash when downloading from the tools section? There is an error causing it to close. ### 5/5 — Amazing! *2026-06-15* This is the best film emulation app I’ve ever used on the iPhone. It’s awesome. It makes it so easy so quick and the results are out as astounding. Best best ever you’re gonna love it. ### 5/5 — I’ve tried nearly every mobile editing app promising a film look. I can finally stop searching. *2026-05-17* Most of those apps have one or more of these issues - the filters are terrible, either overdone or just unnatural - you don’t have enough control over your edits, you can put on a filter, reduce the intensity, then apply basic edits that look awful 9 times out of 10 - they require a subscription Film(ish) fixes all that. It’s a one time purchase (that costs as much or less than a yearly subscription for many other apps), which alone is enough for me to love it. The presets are *beautiful*. There’s a bunch of them, plus even more film stocks that you can start from instead, if you want a more personalized look. The editing freedom is unmatched. Aside from the obvious (exposure, contrast, etc) you get editing tools that most editing apps refuse to include (HSL, color grading, curves), but you also get to fine tune so many aspects of your chosen preset/film stocks (color density, push/pull, micro contrast, sharpening). Plus you get control over grain, diffusion effects, and halation. As far as I know, the only app that lets you add and control halation is VSCO, and what do you know? They’re went subscription based years ago 🫩 There’s so much more (frames and the fact that you can also edit videos, for example), but the biggest reason why I love this app is because the creator seems to be on a mission to break the record for “most active dev in existence”. This man has been adding new features on a near weekly basis since this app was in alpha. I was in the TestFlight for it and was already sold on day one, then he just started pumping out new features I didn’t even know I needed, but that made the app somehow even better than it was. I know I sound like a paid ad, but I have absolutely no connection to this thing. I’m sitting here at 1am spending 30 minutes writing this long ahh review only because I genuinely think this is a great app and I believe devs like this deserve all the support and success. Get this app already. ### 5/5 — All you need for Mobile Photography *2026-05-08* I recently discovered this app and boy was I glad to have come across it. This is by far the most complete app I’ve found on IOS to edit Mobile pictures, from a very wide list of “true” film emulations, to color adjustments, etc. Film(ish) has made me forget of the rest of the apps out there that claim to be all you need and they’re not. Film(ish) is truly a power house!!! ### 5/5 — 5/5 *2026-04-26* I’ve tried a lot of photo apps and most of them fall apart the second you start pushing the image. This one doesn’t. The grain is the thing. It’s built into the image, not sitting on top, and the ISO settings actually change the character of it, tighter, rougher, more open, the way you’d expect. You can push color and contrast pretty far and it keeps its shape. Highlights don’t blow out in a cheap way, shadows don’t turn into a flat mess, and the whole image keeps a sense of density that’s hard to get on a phone. The grain alone would have been enough for me, but the way everything reacts together is what makes it stick. I use it every day ## Frequently asked questions about Film(ish) ### Does Film(ish) have ads? No, Film(ish) is ad-free. The app is designed with privacy in mind and does not contain advertisements. ### What devices does Film(ish) support? Film(ish) is available for iPhone and iPad devices, offering its advanced photo editing capabilities across Apple's mobile ecosystem. ### How often is Film(ish) updated? The latest version, 1.3.0, was released on July 7, 2026, indicating recent development activity. Users can expect ongoing improvements and feature additions. ### What is the age rating for Film(ish)? Film(ish) has an age rating of 4+, making it suitable for a wide range of users interested in photo editing. ### Can Film(ish) edit videos? Yes, Film(ish) can apply its full film emulation pipeline to videos, processing each frame to achieve analog looks. ### Does Film(ish) require an account or cloud uploads? No, Film(ish) processes all edits on your device, ensuring privacy. It does not require accounts, cloud uploads, or tracking. ### What file formats can Film(ish) export? Film(ish) allows you to export your edited photos and videos in high-resolution JPEG, HEIF, or TIFF formats. ### How does Film(ish) compare to other photo editing apps? Film(ish) distinguishes itself with its focus on authentic analog film simulation, utilizing desktop-grade color science and on-device processing for privacy, unlike many apps that rely on simpler filters or cloud processing. ## Version history (last 5 releases) ### 1.5 — 2026-08-21 All-new everything: New advanced controls (Hue vs, Sat vs curves, split toning), completely rebuilt masking and cropping, reworked RAW development, refined exposure controls, improved skin tones, and more. Compact Layout: New layout options for a cleaner, more efficient UI. Hue vs: A new Grading tab featuring three curves along a continuous hue axis. Shift any hue, its saturation, or its luminosity using an eyedropper tool straight from the photo. Split Tone: Quick and easy split toning via a dedicated tool. Advanced Masking: Composite complex masks using Add, Subtract, and Intersect, plus an all-new Brush mask. Highlight Detail: A dedicated slider that restores highlight texture flattened in SDR renders using the photo's HDR gain map. Film Frame: A new frame option simulating a classic 35mm film strip. New in Print: Introducing two paper simulations: EP1 (Kodak Endura Premier) and CA2 (Fujicolor Crystal Archive II). Reworked RAW Development: Develop modes (As Shot, Normalized, Log) now apply to RAW files from any camera, not just Apple ProRAW. Normalized strips away heavy-handed default processing to create a clean, uniform base - ensuring your presets apply predictably across different cameras and shooting conditions. ### 1.4.5 — 2026-08-06 PRINT FILM A new Print section under Grading. After the negative develops your image, it can be printed onto the stock theatrical prints were made on – Kodak 2383 or Fuji ETERNA-CP 3513DI – with a chain-order option, and a "Print film" text variable to match. SCOPES Histogram, luma waveform, RGB parade, RGB overlay and vectorscope in both editors, in a resizable panel. A new clipping warning marks the areas about to lose highlight or shadow detail – drawn per stock, receding as you pull Whites or Highlights back. GRAIN Softening is rebuilt around film MTF – no longer a flat Gaussian blur. Each ISO now carries the resolving power of its emulsion: fine grain resolves more detail, fast grain less. The slider also goes negative – raw grain over the sharp image. FILM STOCKS New: Fujicolor F-64D and Fujicolor REALA 500D, daylight-balanced cinema negatives. The Fuji ETERNA negatives have new, improved versions. FP1 now carries its real name, Superia 200. LENS BLUR Near and far are separate controls now – foreground bokeh can spill over a sharp subject, the way a real lens renders it. ANALOG EDGE Redesigned border – the torn film edge looks more organic and less repetitive. Inner Glow and Diffusion now blend smoothly when combined. VIDEO Export Frame – one tap saves the current frame to Photos at full resolution. FIXES – LOG footage no longer renders dark with a conversion LUT. – Video export no longer crashes on clips with certain audio formats. – Exports with frames stay in their size tier. – The editor no longer comes back black after switching apps. – HDR exports match the preview's border brightness. – Preset thumbnails no longer open blank in the video editor. ### 1.4.0 — 2026-07-30 NEW: VIDEO support for TEXT layers and borders NEW: full crop toolset including anamorphic desqueeze and horizon lock (straighten) in VIDEO NEW: effects for VIDEO including gate weave and light leaks NEW: exposure masking available in the VIDEO editor NEW: edit LOG from any camera by bringing your own conversion LUT New in PHOTO: Erase, Selective Color and new YOLO mode in export that will unlock full resolution export (tested up to 102 megapixels) NEW FILM STOCKS Kodak Verita 200D, Ektachrome 100D and Tri-X Reversal 7266 Improved export times and memory handling. Refined halation shape Sharper subject cut-outs for behind-subject text and subject masks Fixes for issues introduced by iOS 27 beta 3 and beta 4 ### 1.3.1 — 2026-07-29 Crash fixes for iOS 27 Beta 3 ### 1.3.0 — 2026-07-07 NEW – Effects • Lens Blur – bokeh simulation powered by depth-of-field mask • Motion Blur – keep your subject sharp while the frame streaks with motion • Light Leak, rebuilt – six procedural leak patterns NEW – 8 classic film stocks Reverse-engineered from period references: Kodachrome 64, Kodachrome ASA 10 (the 1950s postcard look – free for everyone), High Speed Ektachrome, Agfachrome CT18, Orwochrom UT18, GAF 500, ScotchChrome 1000 and Kodacolor-X. IMPROVED • Grain now switches off from a single Off pill • Anamorphic flare rebuilt with rotation control • Subject cut-outs now work on any subject, not just people FIXED • Faster and more stable across all tools! • iPad landscape layout polished across the photo and video editors • Assorted HDR, export and stability fixes throughout Thanks for using Film(ish)! ## Related topics [halation](https://appshunter.io/ios/topics/halation) · [camera edit film](https://appshunter.io/ios/topics/camera-edit-film) · [film camera emulation](https://appshunter.io/ios/topics/film-camera-emulation) · [film editor pictures](https://appshunter.io/ios/topics/film-editor-pictures) · [film edit photo](https://appshunter.io/ios/topics/film-edit-photo) · [camera editor film](https://appshunter.io/ios/topics/camera-editor-film) · [film editor aesthetic](https://appshunter.io/ios/topics/film-editor-aesthetic) · [film camera filter mellowfilm](https://appshunter.io/ios/topics/film-camera-filter-mellowfilm) · [film filter editor](https://appshunter.io/ios/topics/film-filter-editor) · [preset film](https://appshunter.io/ios/topics/preset-film) --- *Data collected daily from the US App Store and indexed by [AppsHunter](https://appshunter.io/). User reviews are verbatim App Store reviews. Ratings, prices and chart positions refresh continuously; this snapshot is from 2026-08-25.*