Peak Browser
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What's New in Peak Browser
1.6.1
September 7, 2026
A VIDEO STUDIO ON A REAL TIMELINE Peak has had a video project for a while. It now has an editor worth opening. Start from Intermission → Tools → Timeline Structures: four finished cuts — an announcement, a three-point explainer, an open/middle/close story, and a set of lower thirds — or a blank timeline if you would rather. Clips sit on rows that overlap, so a title can lie over a shot and a music bed can run under all of them. Drag a clip's ends to trim it, drag past the end of a card to hold it longer, drag past the end of a shot to repeat it. Fade handles sit in the corners of every clip. There is undo, copy and paste, and the delete key does what you expect. Every project is cut for a frame you choose — widescreen, 4K, square, portrait, vertical, or the exact sizes the App Store wants for an app preview — and everything you drop in is fitted to it. Drop a tall photograph onto a widescreen edit and it letterboxes rather than reshaping the whole video. Words on a transparent card, bars, discs, blocks and eight symbols, each in one of seven colours, all laid over the picture rather than beside it. SLIDES BECOME CLIPS A deck from Slides can be laid onto a timeline. Each slide is drawn once and imported as an ordinary still, so it trims, fades and moves like anything else. An empty project takes the deck's shape. THE SAME TIMELINE, READ AS MUSIC Switch the pane above the timeline to a mixer: a fader, mute, solo and a meter for every row, and a record that turns while it plays. Give the project a tempo and the ruler counts bars and beats instead of seconds, and clips snap to the grid. Bounce the sound on its own to an .m4a — the same mix the video export uses, so the two cannot disagree. PEAK AI CAN SEE WHAT IT MAKES Ask it to continue a video and it looks at the edit as a grid of frames, takes the last frame of the cut, and generates a clip that starts from exactly there. It can also cut, style, title and rearrange what is already on the timeline. It could already tell whether a slide's contents ran off the page or landed on top of each other, but it could not see the result — so it wrote confident paragraphs about designs it had never laid eyes on. It now draws every slide small, tiles them into one picture, and looks at that before it says a word. The same picture is attached to the reply, so you are looking at what it looked at. Turn on the new Slide Design skill and decks arrive with one palette held across every slide, a single type hierarchy, a background that is actually painted, and shapes only where they hold something. A MORNING BRIEF ON THE START PAGE Under the weather chip there is now a card that gathers the day's headlines on the topics you choose — World, Tech, Markets, Local, Sport, Science, or up to two of your own — and shows what you were last in the middle of. Every story carries the publication it came from, and every link opens in a tab. It is off until you turn it on, and when it is off Peak makes no searches for it at all. Gathering happens at most once a day: on your tap, or the first time you open the start page after a time you set. Nothing runs in the background — open Peak at eleven and the brief arrives at eleven. Every headline links to a page Peak actually fetched. Anything the model writes that cannot be tied back to one of those pages is dropped rather than shown, because a citation that looks right and goes nowhere real is worse than no brief at all. TWO TABS ON SCREEN AT ONCE On iPad, in landscape or split view: press and hold any tab you are not on and choose Show Beside, then whether it goes left or right. Both pages stay live — a video keeps playing in one while you read the other. The arrangement survives quitting Peak, because a split is something you chose rather than something you ended up with.
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