Super Serrated vs PX1 FM Synth

Super Serrated stacks up to 11 detuned saw waves per voice into huge, wide supersaw leads, pads, and basses. Play it as a standalone synth or load it as an AUv3 plugin in GarageBand, Logic Pro, Cubasis, AUM, Drambo, and other compatible hosts. Sliders instead of knobs keep the whole patch readable at a glance. Oscillator, filter, envelopes, LFOs, modulation, and voice controls are always within reach, with live visual feedback for the envelopes, filter, and LFOs. We play Super Serrated on our live electronic music streams alongside hardware synths. It's made for classic trance, EDM, and synthwave leads, wide pads and stacked chords, detuned unison basses, and brassy stabs. OSCILLATOR - Stereo supersaw oscillator with 1 to 11 saws - Detune, stereo width, unison mix, octave, and level controls - Sine sub-oscillator - Per-voice white noise VOICES - Up to 16 voices, shared between polyphony and unison - Unison adds extra detune spread - Poly, mono, and legato modes - Portamento for glides FILTER - Resonant ladder-style filter, 12 or 24 dB/octave - Low-pass, high-pass, and band-pass modes - Drive and bass boost MODULATION - Two ADSR envelopes - Two LFOs with sine, triangle, saw, square, and random shapes - Free-running or tempo-synced LFO rates - LFO depth, smoothing, bipolar/unipolar range, and reset on note - Modulation matrix with 7 routing slots PLAYING & CONNECTIVITY - Velocity, pitch bend, mod wheel, and channel aftertouch - USB, wired, and Bluetooth MIDI controllers - USB audio interfaces - Runs on iPhone, iPad, and Mac with Apple silicon

PX1 is a dual-engine FM synthesizer inspired by the classic 6-operator digital synths of the 1980s. Each engine features six operators, 32 algorithms, and full envelope control — giving you everything from glassy electric pianos and punchy basses to evolving pads and metallic bells. What makes PX1 special is the dual-engine architecture. Two completely independent FM voices run side by side. Copy one engine to the other, make subtle changes, then use the Spread control to place them across the stereo field. The result is a lush, wide sound that a single FM engine simply cannot produce. FEATURES • Two independent 6-operator FM engines • 32 classic FM algorithms • Per-operator envelopes (4 rates + 4 levels) • Per-operator pan for detailed stereo placement • Five macro knobs — Brightness, Touch, Attack, Decay, Spread • Copy/Paste between engines for instant layering • Random patch generator exploring the classic FM sound palette • Built-in reverb (Size, Damp, Amount) • Mono, Legato, and Portamento modes • LFO with triangle, saw, square, and random waveforms • Pitch bend range and transpose controls • Key velocity sensitivity per operator • Keyboard rate scaling and level scaling • Operator Key Sync on/off for consistent or organic attacks AUv3 PLUGIN PX1 works as a standalone instrument and as an Audio Unit v3 plugin. Load it directly inside GarageBand, Logic Pro, AUM, Cubasis, or any AUv3-compatible host. Full parameter automation is supported — record knob movements in your DAW and play them back. DESIGNED FOR MUSICIANS The interface stays close to the original FM programming model that experienced synthesists know, while macro controls make it approachable for anyone. Turn one knob and shape the entire sound; dive into individual operators when you want surgical control. LISTEN TO EXAMPLES Hear PX1 in action — sound demos are available at: https://soundcloud.com/peter-sj-gren/sets/px1-demo Requires no in-app purchases. No subscriptions. No ads. No tracking.