I bought it without even opening the app’s page, that’s how good his other apps are. I use relic waves like it’s going out of style and have now exported thousands of samples from it for use in various gear and software. It’s my sound design secret weapon. If it only had the noise sounds it would be worth using but that’s only the tip of the iceberg. And all his apps compliment his tracker so well, which by the way if youre into sampling then you owe it to yourself to at least try SunVox… your sampler patches are only limited by your imagination. It truly competes with the best of them, you have so much control it’s unreal. And it’s packaged in a really nice format in my opinion, you can mix synthesis with it if you want and it all wraps neatly into a file that’s as easy to distribute as anything else. I really wish he’d make it into a VST because I think it could bring him $$$, I think people would use it as an instrument if they’re not into trackers, it would be a very flexible instrument. I’m not sure if I’d use it as a VST since I’d prob just open the tracker but I know a lot of people would. Actually I can see myself using it in buttwig. Anyway I’ve avoided talking about this app for a reason. It’s sick, it’s going to spit out some great sounds, end of story. Get it. Get Relic Waves, get Fractal Bits and most importantly get Virtual ANS that program doesn’t get the attention it deserves, it’s workflow and interface are too dang good and it produces results that are sonically interesting, don’t sleep on it if you think doing sound design with paint sounds fun, and it provides tools to do a variety of things it’s not just chirpy stuff, don’t be afraid to use noise and making brushes out of selections is a pro move. Give it 3 hours a week and in a month you’ll be making way different stuff than you did on your first day with all the brushes you collected up. take care, be creative.
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