Motion Track: Video Stabilizer

STABILIZE, REBUILT A new engine end to end. It reads the shake more accurately, ignores whatever is moving through the frame while it measures, and smooths harder for the same amount of crop. - Tripod — hold the shot dead still, as if the phone had been on a tripod - The right strength is chosen for you when the screen opens, and you can hold the preview to compare it against your original - The tool is called Stabilize now, not Anti-Shake, and the tracking lane says Track TRACKING A major upgrade underneath: your tracked point holds where you put it on every single frame — at 60FPS, under a speed ramp, and in projects that mix frame rates. Tracking is better than it has ever been. KEEP YOUR ORIGINAL COLOR Shot HDR or Apple Log and tired of it coming out flattened? Export it the way you shot it — 10-bit and ungraded, ready to grade in Resolve or Final Cut. It lives under Color in Export Settings, and it wants a straight cut: one clip, no overlays, effects or captions. Standard stays the default for everything you post. Also new in the last update, if you skipped it: - Auto Captions — your whole take transcribed on your phone, no network and nothing uploaded, with looks from Classic to Karaoke Fill to Neon Glow - Auto Track — one tap steadies every clip in the project - Trash — delete a project by mistake and it waits three days instead of being gone Everything runs on-device. Your videos never leave your phone.