Shutter Truce

Three minutes shooting, thirty explaining? Shutter Truce turns “Where do I stand?”, “How do I frame this?” and “What should she do?” into answers you can follow directly in the viewfinder. 100+ PHOTO REFERENCES — AND GROWING Browse ideas for city streets, travel, cafés, home, cars and the seaside. Choose the look you want, then see the angle, distance, pose and one cue you can read aloud. Photos in optional sample packs are viewable before purchase; the purchase unlocks the silhouettes and shooting guidance, not the photos themselves. THREE SIMPLE STEPS 1. Pick a sample yourself, or use optional Smart Shooting to match the current scene. 2. Align the subject outline and scene guides, from horizons to car-door lines. 3. Tap the shutter. You get one clear cue at a time instead of a wall of settings. THE COMPLETE CORE FLOW IS FREE You can choose core samples, shoot, edit and save without buying anything. Manual shutter, focus and metering, exposure compensation, zoom, Live Photos, post-capture editing and saving remain available. Optional purchases save decision time with scene matching, live guidance, one-tap Enhance and additional sample packs. They never block the shutter, editor or save flow. EDIT AFTER THE SHOT The viewfinder stays focused on composition. Retouching and adjustments happen afterward. Tune retouching, exposure, temperature and saturation; add styles, frames and signatures; or save a look as a preset. Edits are non-destructive, and originals and edited copies can be saved separately when post-capture editing is enabled. NO ACCOUNT. YOUR PRIVACY STAYS ON YOUR DEVICE. No sign-up, ads, tracking or analytics SDKs, and no developer photo server. Your photos, viewfinder frames, facial features and location are not uploaded to the developer. Scene analysis and editing run on device. Purchases and restores are handled by Apple. Optional features are one-time purchases: no subscriptions, trials or per-use fees. Smart Shooting Lifetime and additional sample packs are sold separately. Less “Try again.” More “That’s the one.”