Great, but I’d like more GarageBand support.
Amazing app it’s very helpful
Excellent App - Best in it’s Class
Many thanks to Kelfar Technologies for all of the hard work, diligence, and expertise that goes into creating such a useful tool.
The best app of its kind
The best in its class
APP stops abruptly
Please advise. I would give it 5 stars if it can be fixed and will change if that occurs.
Kind regards,
Response from developer
Dear Johnny, can you tell us what is the issue exactly. The APP has no bugs otherwise the APP will not be approved on the AppStore. Can you do me a favor? Tell us what kind of IPAD do you have? One thing you might do, please delete the APP and reinstall. Date: 9/03/2025 - We haven’t received a response from you yet. Could you please let us know if you’re still experiencing the same issue?” Thank you!
World Scales: Beginner-friendly and expert-versatile!
As a lover of Arab maqam and Persian dastgah traditions, as well as the Psaltic art of Byzantine music, I was impressed by the priority given to intuitive accessibilty and ease of use as well as the wealth of musical value that should appeal to the user newly exploring tunings and/or the variety of world musics.
One neat included tuning for Arab Rast is the Byzantine 53 Diatonic set, which approximates a moderately bright Maqam Rast if one starts from the Byzantine Νε (as in the Fourth Mode Plagal), or Maqam Huseyni (as in the First Mode and First Mode Plagal) if one starts from Πα. By the way, having these solmization syllables displayed on the keyboard in Greek characters is a great learning resource. The Byzantine theorist Chrysanthos of Madytos in 1832 gave al-Farabi's tuning of what was later termed a Rast tetrachord as an example of good Byzantine intonation. The Byzantine Diatonic 53 tuning included with this app is a nice middle point between the al-Farabi tuning and the later Byzantine tuning based on 36 or 72 steps per octave adopted by the Patriarchal Commitee on Music in 1881, and I found it a very nice Rast. The five accidentals are left in unaltered 12-tone equal temperament, but for Arab maqam music I might recommend setting them to Pythagorean flats (or the 53-tone equal temperament equivalents, which I think should be within about a cent of the Pythagorean values), with offsets relative to A at Db -16; Eb -12; Gb -18; Ab -14; and Bb -10. This expedites modulating from Maqam Rast on C (or Byzantine Νε as shown on the keyboard), the standard untransposed location on the Arab gamut, to other maqamat (the Arabic plural of maqam) on C, with Nahawand, Hijazkar, Nakriz, and Hijazkar Kurdi as attractive possibilities.
As an experienced tuning table user, I'll add that I was creating user-defined tunings within my first few minutes after downloading, and the design is praiseworthy in keeping the interface simple while offering precision to the nearest cent. But the real success was found in the hours of delighted playing that this led to. I especially enjoyed the 'oud and kanun samples.
This application is itself a work of art, in its intuitive design and sophisticated precision and above all its use of these to convey priceless musical beauty and value.
Learning Chants
I was delighted to see that not only can the user set pitch adjustments on each key, but it has the soft chromatic scale and Byzantine Mode 2 available directly from a menu. That was exactly what was needed for the music I was practicing.
I was a little bummed because running on a MacBook the user interface is not as convenient as it would be for a touch screen on an iPad. But then I was completely delighted to discover the WorldScales' MIDI feature in the settings, connect my keyboard via USB cable, and it just worked. That's an even better UI than a touch screen.
Exactly what I was looking for!
AUv3 Please !
مع الاسف لايوجد تحديثات
Please update the application
Waiting
However I'm having problems lately , playing some keys makes the key turn color but it doesn't sound any sound.
Oriental Maqam + Audiobus
Engineer
Scale tuning still not working
On the (Audio)Bus...almost
Nic
