Tap Delay vs Phosphor 3

Back in the “old days”, producers and engineers created delay and echo effects using tape machines. Tap Delay combines the warm sound of vintage tape echo machines with a modern, step sequencer-like tapped delay engine which continues the tradition of the tape echo machines into the 21st century. The Tape simulation includes all relevant aspects for the recreation of a faithful analog tape sound: • Compression and Saturation • Tape hiss • Tape head bias • Wow and Flutter (Tape speed instability) • Smooth speed / delay time changes Three feedback filters with hipass/lowpass and bandpass characteristic simplify the creation of authentic dub echo effects. The built-in Limiter allows for endless feedback sounds. Use live input from any source - Microphone, Guitar, Audiobus and Inter App Audio - or take a song from your iTunes library for processing. Features: • Multi-tap delay machine • 24 taps for rhythmic delay effects • Tape simulation ( Saturation, Noise, Flutter ) • Alias free tape saturation through oversampling. • MIDI controllable including Tempo sync • Delay loop equalizer for dub effect. • Glitch free simulation of variable tape speeds. • Spatial echo rotation effect. • Audiobus 3 compatible with state saving • IAA compatible ( Auria, Cubasis, Garageband ). • AudioUnit AUv3 with parameter automation. • Ableton Link. • Integrated iTunes player.

Glow in the dark synthesis. Phosphor 3 is a dual-oscillator additive synthesizer that puts the raw building blocks of sound at your fingertips. Draw, randomize, or select up to 64 harmonics per oscillator, then shape them with envelopes, LFOs, cross-modulation, and a flexible mod matrix. Originally inspired by the alphaSyntauri, a rare digital additive synth from the early 1980s, Phosphor 3 takes that concept far beyond its origins with modern MPE expression, polyphonic modulation, and a full effects engine. --- Additive Oscillators Two identical additive oscillators, each with up to 64 individually editable harmonics. Start from classic shapes: sawtooth, triangle, square, or draw your own harmonic spectrum directly in the partial editor. The intelligent randomizer generates musically useful timbres with variable rolloff, density, and formant peaks, so every click produces something worth exploring. Choose 16, 32, or 64 partials per oscillator to balance complexity against CPU. Each oscillator has independent level, pan, transpose, fine tune, a noise generator with lo-fi downsampling, and cross-modulation (FM) for pushing timbres into harsher, more complex territory. Modulation Two ADSR envelopes with adjustable attack, decay, and release curves. Two LFOs with four waveforms (pulse, sine, saw, random), tempo sync, and the option to run polyphonically, a separate LFO per voice, or globally. An 8-source modulation matrix routes velocity, pressure, pitch bend, mod wheel, CC 74, triggered random, and both LFOs to destinations across the oscillators and effects. Effects Stereo delay with independent left/right time, feedback, and cross-channel feedback for ping-pong and rhythmic patterns. Tempo sync locks delay times to your DAW. Dual band-pass filters after the delay let you carve the wet signal into resonant, frequency-specific textures. Expression Full MPE support with per-note pitch bend, pressure, and slide across 16 polyphonic voices. Mono legato and mono retrigger modes with adjustable portamento. Unison mode for thick, detuned stacks. A scrollable 128-key on-screen keyboard with velocity from touch position, pitch bend from horizontal drag, and channel pressure from vertical drag, no hardware controller required. Tuning MTS-ESP client support for real-time microtuning from any MTS-ESP master. TUN file import for custom scales. Standard 12-TET with adjustable A4 reference. Supports AUv3 for use in GarageBand, AUM, Cubasis, and other AUv3-compatible hosts.