F vs LRC5

F-16 Filter is a flexible multi-mode filter with frequency response display. It features sixteen modes, frequency and resonance controls, saturation for analog-style soft clipping, and wet/dry mix. The 4 pole lowpass mode provides the frequency response of classic the Moog ladder filter. The other modes provide all of the choices available in the famous Oberheim Matrix 12 and Xpander synthesizers. At the heart of F-16 is a Zero Delay Feedback algorithm, the latest in DSP filtering technology. F-16 Filter gives you a wide variety of filtering options with pristine fidelity. F-16 Filter is an AUv3 that works inside host apps. Just open up your favorite host that supports AUv3 and add it as an effect. Compatible with GarageBand, Cubasis, Auria, BeatMaker, AudioBus, AUM, Modstep, and more. Blamsoft brings their experience creating top notch plug-ins for the desktop to iOS. The same filter modes are found in the popular Rack Extension for Propellerhead Reason. You get a desktop quality plug-in at an iOS friendly price. In addition to controlling the filter through the knobs and sliders, you can use the frequency response display to control cutoff frequency and resonance simultaneously. The sixteen filter modes available are: 1, 2, 3, and 4 Pole Lowpass 1, 2, 3, and 4, Pole Highpass 2 and 4 Pole Bandpass 2 Pole Notch 3 Pole Phase 2 Pole Highpass + 1 Pole Lowpass 3 Pole Highpass + 1 Pole Lowpass 2 Pole Notch + 1 Pole Lowpass 3 Pole Phase + 1 Pole Lowpass Tap Developer Website for sound examples.

LRC5 is an Audio Unit, or AU, for iOS. This application is simply a container for the Audio Unit and serves only as the documentation. LRC5 must be used in some sort of Audio Unit host or DAW application. LRC5 is a five-band EQ. It includes low shelf, high shelf, and three parametric peak/cut filters. The filters can boost or cut by 24 dB. The frequency range for each of the filters is 10 Hz to 20 kHz. The filters aren't restricted to stay in any order. If a filter is set to a level of 0.0 dB it is turned off. You can also set the "Q" factor of each of the filters. The value ranges from 0.0 to 1.0. For the three peaking filters, a value of 1.0 gives a fairly narrow frequency band, but LRC5 isn't really designed for surgical frequency work. It is aimed primarily at coloring of the signal. LRC5 can be used in a mono-to-mono or stereo-to-stereo setting. Actually, it is only restricted to having the same number of input and output channels. The channels aren't independent. The controls and settings are applied the same to all channels. Editing of the control parameters is a bit different than is typical for an EQ. The intention is for it to be comfortable to use on a touch based interface. Please refer to the documentation in this App to learn how to control LRC5.