F vs EQ

F-16 Filter is a flexible multi-mode filter with frequency response display. It features sixteen modes, frequency and resonance controls, saturation for analog-style soft clipping, and wet/dry mix. The 4 pole lowpass mode provides the frequency response of classic the Moog ladder filter. The other modes provide all of the choices available in the famous Oberheim Matrix 12 and Xpander synthesizers. At the heart of F-16 is a Zero Delay Feedback algorithm, the latest in DSP filtering technology. F-16 Filter gives you a wide variety of filtering options with pristine fidelity. F-16 Filter is an AUv3 that works inside host apps. Just open up your favorite host that supports AUv3 and add it as an effect. Compatible with GarageBand, Cubasis, Auria, BeatMaker, AudioBus, AUM, Modstep, and more. Blamsoft brings their experience creating top notch plug-ins for the desktop to iOS. The same filter modes are found in the popular Rack Extension for Propellerhead Reason. You get a desktop quality plug-in at an iOS friendly price. In addition to controlling the filter through the knobs and sliders, you can use the frequency response display to control cutoff frequency and resonance simultaneously. The sixteen filter modes available are: 1, 2, 3, and 4 Pole Lowpass 1, 2, 3, and 4, Pole Highpass 2 and 4 Pole Bandpass 2 Pole Notch 3 Pole Phase 2 Pole Highpass + 1 Pole Lowpass 3 Pole Highpass + 1 Pole Lowpass 2 Pole Notch + 1 Pole Lowpass 3 Pole Phase + 1 Pole Lowpass Tap Developer Website for sound examples.

EQ-A AUv3 plug-in — comes as time-limited Demo-version for you to try. It gives you 5 minutes of Free play time. (You can reload the EQ-A AUv3 plug-in as many times as you want, thereby you get the Demo period again and again.) Unlimited version of EQ-A AUv3 plug-in comes as In-App Purchase. The EQ-A based on Classic British EQ from the '70s. With a surprisingly wide range of tonal variations, the EQ-A is an invaluable and professional audio tool with great flexibility and excellent sonic ability. Features: • Standalone and AUv3 plug-in; • Precise port of Rack Extensions plug-in; • Modeled vintage EQ; • Four bands of classic British equalization (the mid frequency EQ sections are «peaking», while the high and low frequency sections are «shelving»); • Each band offers 4 selected frequency centers; • 15 dB of boost/cut per band; • Three high pass filters at 18 dB per octave and three low pass filters at 12 dB per octave; • Stereo (Mono), Mid or Side EQ modes; • Saturation On/Off-button; • The main of the EQ section allows four frequencies at any one time, switchable to one of four frequencies: Low Filter (Shelf): 50, 80, 100, 150 Hz; Low-Mid Filter (Bell): 250, 500, 1k, 2k Hz; High-Mid Filter (Bell): 3k, 5k, 7k, 9k Hz; High Filter (Shelf): 8k, 10k, 12k, 15k Hz; • Undo/Redo; • A/B comparison; • 2x/4x/8x Upsampling; • Macro controllers; • Built-in Gain Match; • Scalable GUI. A series of three high pass filters at 18 dB per octave and three low pass filters at 12 dB per octave are arranged at the ends of the EQ section. They are unique in that the switches can be pushed in simultaneously, offering distinct cut filter combinations with unusual filter curves. The EQ-A extends the features of the original hardware and joins the flexibility of the digital world to the character of the analog processing. Allows you to choose between equalizer modes (Stereo, Mid, Side) and remove analogue saturation from the processing circuit to deliver pure digital sound.