F vs EQ550

F-16 Filter is a flexible multi-mode filter with frequency response display. It features sixteen modes, frequency and resonance controls, saturation for analog-style soft clipping, and wet/dry mix. The 4 pole lowpass mode provides the frequency response of classic the Moog ladder filter. The other modes provide all of the choices available in the famous Oberheim Matrix 12 and Xpander synthesizers. At the heart of F-16 is a Zero Delay Feedback algorithm, the latest in DSP filtering technology. F-16 Filter gives you a wide variety of filtering options with pristine fidelity. F-16 Filter is an AUv3 that works inside host apps. Just open up your favorite host that supports AUv3 and add it as an effect. Compatible with GarageBand, Cubasis, Auria, BeatMaker, AudioBus, AUM, Modstep, and more. Blamsoft brings their experience creating top notch plug-ins for the desktop to iOS. The same filter modes are found in the popular Rack Extension for Propellerhead Reason. You get a desktop quality plug-in at an iOS friendly price. In addition to controlling the filter through the knobs and sliders, you can use the frequency response display to control cutoff frequency and resonance simultaneously. The sixteen filter modes available are: 1, 2, 3, and 4 Pole Lowpass 1, 2, 3, and 4, Pole Highpass 2 and 4 Pole Bandpass 2 Pole Notch 3 Pole Phase 2 Pole Highpass + 1 Pole Lowpass 3 Pole Highpass + 1 Pole Lowpass 2 Pole Notch + 1 Pole Lowpass 3 Pole Phase + 1 Pole Lowpass Tap Developer Website for sound examples.

EQ550 AUv3 plug-in — comes as time-limited Demo-version for you to try. It gives you 5 minutes of Free play time. (You can reload the EQ550 AUv3 plug-in as many times as you want, thereby you get the Demo period again and again.) Unlimited version of EQ550 AUv3 plug-in comes as In-App Purchase. The EQ550 faithfully captures the punch, low-frequency transparency, and ultra-tight imaging of iconic American EQs of the late 1960’s. Making use of Proportional Q intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings without the need for additional bandwidth controls. This unique feature minimizes the «phase-shift» sound found in many equalizers. Features: • Standalone and AUv3 plug-in; • 3 bands of classic American equalization; • Each band offers 7 selected frequency centers; • Maximum 15dB of boost/cut per band; • EQ Band 1 and 3 offer shelf/peak switching; • Proportional Q narrows filter Q at extremes; • Stereo (Mono), Mid or Side EQ modes; • Undo/Redo; • A/B comparison; • 2x/4x/8x Upsampling; • Macro controllers; • Built-in Gain Match; • Scalable GUI. The EQ550 provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 15dB of gain at each point. The twenty one equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost/cut are selected by switches, and a pushbutton «IN» switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the EQ550. The EQ550 extends the features of the original hardware and joins the flexibility of the digital world to the character of the analog processing. Allows you to choose between equalizer modes (Stereo, Mid, Side) and remove analogue saturation from the processing circuit to deliver pure digital sound. To use EQ550 as a plug-in, you need an AUv3-compatible host app like GarageBand, Auria, AUM, Cubasis and more — EQ550 will appear in the list of Audio Unit extensions for effect plug-ins in the host app.