Addictive Pro vs spectwhirl

The hybrid synthesis algorithm on which Addictive Pro is based provides you with efficient means for easy control of complex sounds far beyond usual sound synthesis methods: Addictive Pro provides you a with unique form of Wavetable oscillators. These Wavetables are generated from the harmonic content and the free digital filter structure entered by the user. The sound of up to 12 of this Wavetable oscillators is then further refined with a classic analog filter available in several 24dB and 12dB forms. For the optional noise part of the sound you can use the same sophisticated digital filter struct as for the wavetable oscillators allowing for a vast variety of ever changing noisescapes. The intelligent sound and rhythm randomizer can be applied to different sound aspects separately for really useful sound design and inspiration. A four part polyrhythm Arpeggiator creates complex rhythmical structures with a touch of a finger. Features: Hybrid synthesis engine • Wavetable spectrum synthesis • Noise spectrum synthesis • Virtual Analog synthesis • FM and Ringmodulation synthesis Synthesizer details • Twelve wavetable spectrum oscillators per voice. • Morphing between two wave/filter sets. • Waves contain up to 256 partials. • Hand drawn filter structure. • Spectral noise generator using hand drawn filter structure. • Ten major sound parameters each with independent poly LFO and envelope modulators. • Real time parameter control using two X/Y touch pads, the tilt sensors of the iPad and MIDI Controllers.  • Monophonic or polyphonic with up to 16 voices. • 300 factory presets, unlimited user presets can be shared.  Effect section • Seven studio standard effects concurrently usable: • Oversampled distortion with four different algorithms for antialiased sound. • Low / High equalizer • 8 pole analog Phaser • Flanger • Four line chorus • Stereo/Ping-Pong delay with glitch free delay time change. • Hi end reverberation unit.   Four part Polyrhythm Arpeggiator • Uses programmable sequences with up to 32 steps.  • Can trigger single notes and chords. • Unique randomizer generates Arpeggios with 100% usability. • Factory arpeggios included, unlimited user arpeggios possible. • For each step you can program tie, accent, transposition and note order Global • Play melodies live with the onscreen keyboard. Unique drag function for slides and vibrato. • AudioUnit Instrument • Audiobus 2 with state saving • Inter App Audio • Ableton Link support • Can use CoreMIDI compatible MIDI Keyboard. • Select from dozens of scales and play them with scale optimized keyboard layout. • Audio recorder with share function. • Share user presets. • Support for virtual MIDI input connections. • Multichannel MIDI Learn for external MIDI controllers. • Ableton Link compatible. • MIDI Tempo sync. Start/Stop Arpeggio. • MIDI bank/program change. • Import function for Addictive Synth presets. • File sharing of presets via iTunes possible

"bells and whistles, literally" spectwhirl is a hybrid spectral audio effect. It can extract and rearrange sinewave components from input signal to make new sound textures and bell-like sounds. * input sound is converted to sinewave components that are divided into 4 groups: harmonic, inharmonic, 12-edo and other * each component is fed into a delay line with feedback * there is a group of frequency shifter and sample-and-hold effects before and after delay lines * each set of sinewave components can be filtered * all the parameters can be instantly automated with gesture recording !!! Please note that this effect consumes much CPU and requires a modern device. ====================== Quick Start: Top row of controls enables different parts of user interface: scenes editor ("scene"), controls switch ("edit") and "zoom" controls When "edit" is switch on, you can show or hide various controls (marked as "ctrl") and switch gesture recording automation for some of them (marked with ">") Main control surface displays sonogram with tracked elements. Colors are set accordingly to the group they are assigned (red-orange-green-blue are for harmonic, inharmonic, 12-edo and others). Each "lane" contains delay time controls. * Triangle facing left is for the start locator, it determines initial delay time * Square moves both start and end locators together * When left locator is first moved you can see the right locator with the same triangle. It shows the end of the selected region, the secondary delay time is determined by the difference between left and right locators * if you drag over the area of the region in a lane, the four-dotted/one circle indicator will change its appearance; this changes the arpeggio mode of the region. If set to leftmost position (one circle) the components go in-sync; if set to maximum value (shown as diagonal line with circles) - components are played sequentially * all settings can be stored as "scene" and multiple scenes can be switched sequentially; there is a set of button to move, add and delete scenes. All scenes will be stored as machine state; it can be exported / imported as a single file or as separate file with current scene in the "setup" view The standalone version always starts with output level set to -70 dB to avoid feedback