dLive OneMix vs MTC Generator

OneMix is a cut down version of the dLive MixPad app that locks control to a single Aux (monitor) mix. Multiple iPads may be set up by the 'Admin' user to give each musician customised personal monitor control via Wi-Fi connection to the dLive mixing system without the risk of affecting the other monitors or FOH main mix. dLive OneMix can be configured to provide as much or as little control as needed. Logon as a User provides personal control of: - One monitor (Aux) level and mute - Monitor PEQ, NEQ and Comp if enabled - Send levels and stereo pan to the monitor - Send Mute, Gate, PEQ, Comp if enabled Logon as Admin allows custom setup: - Set a OneMix session name to identify the user - Choose an Aux (monitor) mix - Assign a 'My Mix' layer and up to 3 custom layers - Assign up to 8 strips on My Mix layer, 32 on custom layers - Assign sends - Inputs, FX returns, Groups - Assign DCAs - Assign blank spaces in layers - Name each layer - Enable or disable channel processing and mutes or assigns per layer Requirements An Allen & Heath dLive mixing system with a suitable wireless router or access point connected to one of its Network ports. This version of OneMix can connect to a dLive mixing system running: - dLive Firmware V2.10 or subsequent V2.1x maintenance releases. - dLive Firmware V2.00 or subsequent V2.0x maintenance releases, when the Firmware compatibility mode setting is enabled. This can be found in the iOS Settings / dLive OneMix. You will need to shut down (force quit) the app and restart it for changes to take effect.

MTC – MIDI Timecode Generator sends MIDI Timecode (MTC) via Apple’s Network MIDI protocol. Your device must be on the same network as your Mac and simply connected in Audio MIDI Setup → MIDI Network Configuration. In QLab, for example, you can adjust the Timecode settings in your Main Cue List and trigger cue groups via incoming timecode. Important: The "Stop" button also sends a MIDI note. It should trigger “Pause All” in your controls, providing an additional safeguard for the pause mode of the timecode. With Start, Stop, and Reset, you can control playback or perform precise time jumps, which is essential during rehearsals. During a rehearsal, you can jump to any position in music or lighting scenes while all connected systems remain perfectly synchronized via timecode.