Troublemaker vs BLEASS Megalit

Featured in the US Appstore! Here's what the reviews say: "Perfect for on the move acid sessions, the Trouble Maker app faithfully recreates the sound of the original TB-303" - DJ Mag "Troublemaker is absolutely no trouble at all to heartily recommend" - SoundOnSound "If you want to make the bassline from Josh Wink’s ‘Higher State of Consciousness’ on the bus, this is the app for the job" - Factmag.com "Top-notch stuff from a developer that just keeps getting better" - Musicappblog.com "This app has been consuming all of my time this week! Love it!" - Discchord.com Introducing Troublemaker: this is not a 303 The legendary TB-303 has magical properties; it is filled to the brim with analog shimmer. Its output jack is a gateway to a parallel universe and when you twiddle the filter knobs an army of highly trained pixies chisel the square waves from freshly harvested unicorn souls. So if you want a TB-303, you should buy a TB-303. But if you're after *that sound* Troublemaker will give you everything you need in spades. Troublemaker sports a carefully crafted diode filter emulation and among the available oscillators are the typical raspy, nasal sawtooth and rubbery square wave with its oddball shape and shifting pulse width. It also has the wow. Troublemaker is fully Audio Unit (AUv3) compatible, so you can go wild running multiple instances in your favorite DAWs. It also has: - MIDI CC controllers for all knobs (predefined), - Core Midi, Virtual Midi, Bluetooth Midi input, - MIDI Clock Sync, MIDI Start / Stop support - Realtime Mutation Probability Engine - Standalone sequencer supports 1-64 steps - Audiobus 3 support (audio + MIDI) - Exports MID and WAV files from the standalone sequencer - User manual and MIDI charts on ruismaker.com - Comes with an extra AUv3 plugin version of a modded Troublemaker unit And unlike the TB-303, it can actually sound like a bass guitar ;-)

With its blend of wavetable and classic subtractive oscillators, flexible filtering and post-processing, and an extensive set of advanced modulation sources, BLEASS Megalit provides sound designers with a vast palette of timbral tints, shades, and colours to explore. Thanks to BLEASS' super-intuitive interface design, that entire sonic palette is within easy reach of even the most non-technical musicians. Megalit includes many innovations that will empower your sound designs: * Advanced wavetable oscillators with independent wavetable position and Fold controls across more than 130 wavetables. * Per-oscillator Unison mode for creating rich, layered sounds without loading additional synth instances. * Dedicated noise generator with high-pass and low-pass filters for flexible non-tonal sounds and sound components. * Resonant high-pass and low-pass filters, plus built-in Waveshaper and Bit Crusher processors for powerful sound shaping. * Four LFOs with independent timing curves and output smoothing for highly detailed modulation. * Advanced Motion Sequencer for creating complex repeating modulation patterns. * Per-patch performance controller response curves for expressive and predictable playability. * Built-in preset randomizer that generates inspiring, usable sounds at the touch of a button. * Built-in multiband upward/downward compressor for precise control over dynamics, punch, and presence. All of Megalit's parameters, settings, and controls are presented with intuitive visual feedback, so you always know exactly what the synth is doing. Despite its immense sonic capabilities, Megalit remains exceptionally CPU-efficient, leaving plenty of headroom for additional instruments, effects, or simply more instances of Megalit. BLEASS Megalit is available as an AUv3 plug-in or standalone app. Also available for Windows and Mac. More information: https://www.bleass.com/megalit