Eos 2 vs UltraTap Delay

**Description:** Eos 2 is Audio Damage's studio-quality algorithmic reverb, now with five custom reverb algorithms designed in collaboration with Sean Costello of Valhalla DSP. Available as an AUv3 App Extension for hosts like AUM, AudioBus, GarageBand, Cubasis, and Auria Pro, and as a standalone application. Five algorithms give you a broad palette of reverb for any production context. Three plate algorithms cover everything from tight, dark vintage plates to wide stereo ambience. The new Random Plate algorithm produces organic, evolving reflections that never quite repeat, and is beautiful on pads, keys, and vocals. SuperHall delivers the incredibly long, densely modulated hall sounds that Eos has always been known for: Eno-style ambience that simply isn't possible with convolution reverbs. The streamlined interface makes it easy to dial in exactly the sound you need, from a short, dense room on your drum bus to an infinite wash of sound on a synthesizer pad. **Features** - Five reverb algorithms: Mono Plate, Stereo Plate 1, Stereo Plate 2, Random Plate, and SuperHall - Full control over pre-delay, room size, decay time, attack, and diffusion - Rate and depth modulation for lively, animated reverb tails - Three-band EQ with adjustable crossover points to sculpt the tonal character of the reverb - Infinite mode for drones and sustained textures - Mix lock preserves your wet/dry balance when browsing presets - Resizable interface with real-time waveform display - Factory presets included, with full cross-platform user preset management - AUv3 App Extension and standalone application - Note: Eos 2 is a dense, heavily modulated algorithmic reverb. For best results on older devices, use a single instance as a send effect.

UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation. It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral. Features: - Use up to 64 taps to create simple repeats or morph delays into choruses and reverbs. - Speed up or slow down the rhythmic spacing between taps using the Spread knob. - Use the onboard LFOs and envelopes to chop the sound source into stuttered rhythms. - Use the innovative "Slurm" control to smear taps together or modulate them to create truly unique reverbs. - Control the stereo image of taps to alternate between hard-panned and mono. - Over 150 presets designed to inspire; including artist presets by Chris Carter, Colin Newman, Sasha and many more. - Innovative Ribbon and Hotswitch allow for changing any combination of parameters simultaneously. - Use Mix Lock to scroll through presets while keeping the wet-dry mix constant. - Available as an Audio Units AUv3 plug-in and Standalone App.