Eos 2 vs BLEASS Granulizer

**Description:** Eos 2 is Audio Damage's studio-quality algorithmic reverb, now with five custom reverb algorithms designed in collaboration with Sean Costello of Valhalla DSP. Available as an AUv3 App Extension for hosts like AUM, AudioBus, GarageBand, Cubasis, and Auria Pro, and as a standalone application. Five algorithms give you a broad palette of reverb for any production context. Three plate algorithms cover everything from tight, dark vintage plates to wide stereo ambience. The new Random Plate algorithm produces organic, evolving reflections that never quite repeat, and is beautiful on pads, keys, and vocals. SuperHall delivers the incredibly long, densely modulated hall sounds that Eos has always been known for: Eno-style ambience that simply isn't possible with convolution reverbs. The streamlined interface makes it easy to dial in exactly the sound you need, from a short, dense room on your drum bus to an infinite wash of sound on a synthesizer pad. **Features** - Five reverb algorithms: Mono Plate, Stereo Plate 1, Stereo Plate 2, Random Plate, and SuperHall - Full control over pre-delay, room size, decay time, attack, and diffusion - Rate and depth modulation for lively, animated reverb tails - Three-band EQ with adjustable crossover points to sculpt the tonal character of the reverb - Infinite mode for drones and sustained textures - Mix lock preserves your wet/dry balance when browsing presets - Resizable interface with real-time waveform display - Factory presets included, with full cross-platform user preset management - AUv3 App Extension and standalone application - Note: Eos 2 is a dense, heavily modulated algorithmic reverb. For best results on older devices, use a single instance as a send effect.

BLEASS Granulizer is an innovative granular effect processor crafted for musicians, producers, and sound designers who want to transform incoming audio signals into rich, evolving textures and immersive soundscapes. It works by slicing audio inputs into small "grains" and reassembling them through real-time modulation of different parameters that you can visualize thanks to a 3D visualizer: Modulate - Volume - Pan (represented by width in the visualizer) - Size ( = grain’s duration) - Density ( = frequency of grains generation) - Offset ( = the amount of time between record and play represented by the depth in the 3D visualizer) - Backward/Forward Playback Direction - Shape ( = grain’s envelope, represented by the height dimension in the visualizer) - Warmth ( = strength of the distortion applied to the grain) - Tune ( = grains can be pitched up or down according to different modes: “Fine” / Chromatic / Major / Minor / 5th / Major 7th / Minor 7th / Octave. The amount of randomization can be set with the “dice” knobs. Density, grain size, and offset range can be freely synced or beat synced to the host’s tempo. Touching and holding the visualizer modifies pan and density. BLEASS Granulizer takes up to 4 sources from different busses as inputs (compatible host required such as AUM). When multiple busses are on, each grain is randomly extracted from one of the available sources. BLEASS Granulizer is your unique granular texture effect for reshaping any audio source into a dynamic granular soundscape in ways you've never imagined. Check out www.bleass.com/granulizer for video tutorials and more info!