Dubstation 2 vs MF

Dubstation has been a fixture in dub, electronic, and pop production for nearly twenty years. It emulates the analog bucket-brigade delays of the 1970s and 80s, with their pitch-bending, warmth, and gradual high-frequency loss intact, then adds things those circuits could never do: true stereo dual-time delays, ping-pong, a stereo LFO, and a clean digital looper with overdub and reverse. Sound and Character The bucket-brigade model is the real thing: the high-cut frequency tightens as delay time gets longer, exactly like the original hardware. A low-cut filter trims the bass for the thin echoes of early Jamaican dub. A saturation stage on the feedback path adds analog-style breakup as repeats stack up, and the LFO modulates delay time for chorus, flange, and pitch swoops. Looper and Reverse The LOOP switch turns Dubstation into a clean digital looper that holds the buffer indefinitely and accepts overdubs. This is different from cranking the feedback, which degrades and distorts the signal over time. The REVERSE switch flips the delay memory backwards, and combined with the looper produces reverse loops that hold their fidelity indefinitely. Features >> Single, dual-time, and ping-pong modes >> Tempo-synced or millisecond timing, with dotted and triplet values >> 4 ms to 2 second delay range with X2 switch >> Bucket-brigade modeling with delay-dependent high-cut filter >> Low-cut filter from 100 Hz to 1.5 kHz >> LFO modulation of delay time, 0.01 to 5 Hz >> Saturation on the feedback path >> Tempo-synced stereo looper with sound-on-sound and reverse >> Stereo width control >> Factory and user presets, shareable with the desktop version via XML >> Optimized for low CPU usage on older devices >> Full manual at audiodamage.com

The MF-101S Lowpass Filter is a re-invention of Moog Music’s classic Moogerfooger MF-101 analog effects pedal. The hardware MF-101 Lowpass Filter, introduced in 1998, contained two complete modular functions: a classic, all-analog 4-pole Lowpass Filter paired with an envelope follower to impart dynamic motion to the filtered sound. Designed by Bob Moog and his engineering team, the MF-101 was a direct descendant of the original Moog modular synthesizers, adapted to process, modulate, and play with inputs ranging from guitar, voice, and synthesizer to any imaginable audio source. The MF-101 Lowpass Filter has been meticulously recreated as the MF-101S, capturing not only the warm and vibrant sound of the original, but also the organic way in which the parameters interact to create a musical playing experience. The MF-101S is an AUv3 effects plug-in that requires a compatible host or DAW to function.