DirectionalEQ vs BLEASS Phaser

Traditional EQs influence the spectrum of the whole stereo field simultaneously. L/R or Mid-Side-EQs allow you to treat the two channels or the mid and the side signal simultaneously. DirectionalEQ takes this concept one big step further: now you can equalize all directions in the stereo field independently! With five bands, each of them providing state-of-the-art filter types (including 64 bit processing and 2x oversampling) plus the unique ability to specify the direction in which the channel is operational. So you need more bass at 2 o’clock, less midrange at 11 o’clock and a bit more treble from the left? No problem at all, that’s exactly what this EQ has been made for! This app is intended to work as an Audio Unit or Inter App Audio plugin within a compatible host app like Garageband, Cubasis or Auria.

More subtle than flanging and more colourful than chorus, phasing has long been a go-to effect for guitarists, keyboardists, vocalists and bassists who want to inject a touch of other-worldly character into their sound. No effects collection is complete without a phaser! BLEASS Phaser delivers a comprehensive and highly versatile phasing effect. Whether you’re looking for gentle movement, resonant swirls, or stunning atmospheric soundscapes, BLEASS Phaser can do it all. The plugin’s interface is dominated by a colourful and captivating visualisation that illustrates the notch frequencies that create the phasing effect. This detailed and intuitive display, coupled with BLEASS’ trademark tactile interface design, demystifies the entire phasing process, and makes working with BLEASS Phaser a joy. Phasers use all-pass filters to create frequency-specific phase changes within a sound. When this sound is overlaid on the original unprocessed sound, it creates notch filters at the cutoff frequencies of the all-pass filters. By using multiple all-pass filters, with frequencies that spread from a “centre” frequency determined by the first all-pass filter, a complex comb filtering effect is generated. Adding modulation to the filter frequencies leads to the characteristic sweeping, whooshing sound that phasing is known for. BLEASS Phaser has two LFO modulation sources. The first modulates the notch filter cutoff frequencies, the second modulates the spread of notch frequencies around the initial centre frequency. This allows the plugin to create classic repetitive phasing effects, as well as complex, ever-shifting notch patterns that add tons of sonic interest to a part. With BLEASS Phaser in your collection, you will never need another phaser! More information on bleass.com/phaser