Discord4 vs ShockWave

Discord4 is the Audio Damage stereo pitch shifter, in its fourth generation. Each channel has its own pitch shifter, delay, bandpass filter, and feedback, and every repeat runs back through the shifter, so the same effect can double a vocal, stack fifths into an arpeggio, or send echoes spiraling up or down. Three engines set the character. Vintage is modeled on the H910 and H949 and has their grainy, glitchy character. Modern is cleaner and more transparent. Both have a buffer control from 32 to 2048 samples that changes the character of the shift. Granular cuts the signal into grains from 15 to 100 ms long, with an interval control and a Chaos knob that scrambles them, for anything from soft clouds to complete destruction. Detune the two sides a few cents in opposite directions over a short delay for a wide doubler. Set one side a fifth up, sync the delays, and raise the feedback so each repeat climbs another step. Keep the reverb in the loop for shimmer, then hit Freeze to hold a pad under the part. Turn on MIDI Shift to play harmonies from a keyboard, or ride the pitch wheel for bends. • Three pitch-shift engines: Vintage, Modern, and Granular • True stereo: each side has its own shifter, delay, filter, feedback, and pan, or link them so the right follows the left • Up to three octaves up or down, set by the cent or locked to semitones • Delays up to two seconds per side, free-running or tempo-synced, with feedback and cross-feedback • A bandpass filter in each feedback path, set from an XY pad • A stereo reverb inside the loop, with Freeze to hold the tail indefinitely • Saturation in the loop to keep runaway feedback in check • Two flexible LFOs for pitch, delay time, and filter frequency, shaped by Wave, Skew, and Warp, free from 0.01 to 14 Hz or synced to tempo • MIDI Shift: play the shift amount from a keyboard, with pitch bend, in hosts that send MIDI to effects • A preset browser with folders and favorites, and 50 factory presets from everyday doubling to the thoroughly strange Discord4 runs as an AUv3 plugin inside any compatible iOS host, including AUM, Cubasis, Drambo, and apeMatrix, and as a standalone app with background audio for live input. It is also available for macOS, Windows, and Linux as a desktop plugin. Requires iOS 16 or later. An AUv3 host app is recommended. No subscriptions. No accounts. No nonsense. Buy it once, own it forever.

ShockWave is a monophonic Synthesizer designed to bring modular style workflow to the world of iOS & AUv3 plugins. Built around the concept of Phase Distortion (PD) Synthesis, Shockwave includes a pair of PD Oscillators each capable of creating everything from pure Sine Waves over smooth Sawtooth and Square Waves to Resonance & Sync sweeps, filtered Noise and more. In addition to the Synth Voice, ShockWave includes a dedicated control section housing a pair of 8 step sequencers, a sample & hold module as well modules for trigger divisions, logic comparisons and controlled randomness. A pair of Low Frequency Oscillators and 2 Attack/Sustain/Release (ASR) Envelopes serve as main modulation sources and can be used in a number of ways. Envelopes can be triggered from a number of internal sources including other modules such as trigger divider, logic or chance module but can also be connected to each other allowing for a wide range of patches usually only possible in large modular systems. LFOs are individually tempo sync-able and capable of producing total of 5 different waveforms each. The two sequencers can run independently or combine to one 16 step sequence where rate and length can be controlled independently for each of the two. In true modular nature almost any control within ShockWave can be modulated with up to 11 sources - simultaneously. Modulations are setup simply by holding a control and dialling in the desired amount in a list of all available sources. A special X-Ray mode adds a realtime display of all currently active modulations right at their corresponding control making it easy to understand what's happening inside the synthesizer at any given time. Synth Voice and Control Section are accompanied by built-in Delay and Reverb sections placed on send busses with all of their controls including the send levels being available as mod destinations. Last but not least, ShockWave features a solid MIDI implementation including support for, aftertouch, velocity, wheels, custom CC mappings and up to 4 dimensions of expression when using MPE compatible controllers, such as the Roli Seaboard, Linnstrument, Geoshred, KB-1 and others. MIDI Output is supported as well and includes Note and Control Change output generated from various internal sources including Sequencers, Envelopes and LFOs making it possible to control external MIDI gear or chain multiple plugin instances for advanced, self driving patches. Overview: - Semi Modular Monophonic Synth Voice - Phase Distortion Synthesis (PD) - Dual PD Oscillators with 5 Waveforms + Noise - Dual ASR Envelopes with variable trigger source - Dual LFO with Tempo Sync - Cross Modulation with Linear/Exp. FM, PM, AM & RM - Mixer section with individual pan and level controls per oscillator - Output VCA with variable control source - Pattern Generator for generating sequences from various internal sources - Quantizer to force note input into a specific scale (19 Scales + User Scales) - Step Sequencer with 2x8 or 1x16 steps, individual rate and number of steps per row - Trigger Divider for dividing internal trigger sources - Probability Gate for adding controlled randomness - Sample & Hold for additional randomness - Logic Module to create triggers from various internal sources - Built-in Delay & Reverb Effects - MIDI Note and CC output for controlling external gear or chaining multiple instances - Semi Modular Architecture - 11 Modulation Sources - 40 Modulation Destinations - 2 Color Themes MIDI Input: - 4D Expression (Glide, Slide, Pressure & Velocity) - Mod & Pitch-Wheel - Tempo Sync - Custom CC Control MIDI Output: - Note - Control Change Connectivity: - Standalone - AUv3 - AudioBus - IAA