EG WaveSHAPER vs BLEASS Phaser

EG WaveSHAPER is the first synthesizer that lets you create your sound with a finger. Draw the waveform on the screen or shape a builtin one, mix it with a classic analog oscillator and a sub oscillator and automate all the knobs with 2 drawable LFOs and 2 ENVs HYBRID WAVESHAPING ENGINE 'Waveshaping is a synthesis-and-transformation technique that turns simple sounds into complex sounds' 2 wavetables can be designed and morphed to create unique and dynamic sounds under your finger, choosing the morph attack and release; complex spectra can be created waveshaping the oscillator and introducing non linear distortion, rich harmonics and a tube-vacuum behaviour. The hybrid Waveshaping/Wavetable engine lets you combine a wavetable oscillator with a classic oscillator and a sub oscillator, to add additional sound layers and depth. LFOs & ENVs 2 Lfo and 2 Envelopes with indipendent time can be assigned to virtually any of the synth parameters. They can also be graphically designed with the touch of your finger or you can choose among the builtin envelopes. OTHER FEATURES - Hybrid Wavetable/Waveshaping engine - Draw your wavetable oscillator with your finger - 100+ presets (Pad, Lead, Bass and Fx) - 30+ builtin waveforms to use and modify - 2 LFOs and 2 ENVs assignable to any parameter - FX: Reverb, Delay and EG Crush - Detune osc to create huge unison sounds - FM and Noise with configurble FM Ratio and Noise eq - VCF and Reso filters - Complete presets management with export and share - Core MIDI: MIDI in, MIDI CC, MIDI channel pressure control - AU3 with full knobs parameters automation - Universal for iPad & iPhone

More subtle than flanging and more colourful than chorus, phasing has long been a go-to effect for guitarists, keyboardists, vocalists and bassists who want to inject a touch of other-worldly character into their sound. No effects collection is complete without a phaser! BLEASS Phaser delivers a comprehensive and highly versatile phasing effect. Whether you’re looking for gentle movement, resonant swirls, or stunning atmospheric soundscapes, BLEASS Phaser can do it all. The plugin’s interface is dominated by a colourful and captivating visualisation that illustrates the notch frequencies that create the phasing effect. This detailed and intuitive display, coupled with BLEASS’ trademark tactile interface design, demystifies the entire phasing process, and makes working with BLEASS Phaser a joy. Phasers use all-pass filters to create frequency-specific phase changes within a sound. When this sound is overlaid on the original unprocessed sound, it creates notch filters at the cutoff frequencies of the all-pass filters. By using multiple all-pass filters, with frequencies that spread from a “centre” frequency determined by the first all-pass filter, a complex comb filtering effect is generated. Adding modulation to the filter frequencies leads to the characteristic sweeping, whooshing sound that phasing is known for. BLEASS Phaser has two LFO modulation sources. The first modulates the notch filter cutoff frequencies, the second modulates the spread of notch frequencies around the initial centre frequency. This allows the plugin to create classic repetitive phasing effects, as well as complex, ever-shifting notch patterns that add tons of sonic interest to a part. With BLEASS Phaser in your collection, you will never need another phaser! More information on bleass.com/phaser