Stellr vs BLEASS Phaser

Stellr is a pitch-shifter/delay/reverb sound processor aimed to recreate the classic shimmer effect. It makes deep ethereal ambiance on top of your sound, providing you with a wide variety of sonic possibilities. Add a new dimension to your music. The effect features 20 ready to use presets which can be shared between devices as well as randomize button for endless variations. When loaded as Audio Unit effect, all parameters can be automated via host app. Stellr main features: – Pitch shifter which can be fine-tuned or snapped to semitone – Two separate delays for creating a complex feedback effect – LFO modulation and different types of reverb – Set pre-gain and dry/wet levels – Audio Unit Extension support – 20 built-in presets – Low-pass and High-pass filters – Ability to save and randomize parameters – Import and export of user presets – Realtime frequency spectrum visualizer

More subtle than flanging and more colourful than chorus, phasing has long been a go-to effect for guitarists, keyboardists, vocalists and bassists who want to inject a touch of other-worldly character into their sound. No effects collection is complete without a phaser! BLEASS Phaser delivers a comprehensive and highly versatile phasing effect. Whether you’re looking for gentle movement, resonant swirls, or stunning atmospheric soundscapes, BLEASS Phaser can do it all. The plugin’s interface is dominated by a colourful and captivating visualisation that illustrates the notch frequencies that create the phasing effect. This detailed and intuitive display, coupled with BLEASS’ trademark tactile interface design, demystifies the entire phasing process, and makes working with BLEASS Phaser a joy. Phasers use all-pass filters to create frequency-specific phase changes within a sound. When this sound is overlaid on the original unprocessed sound, it creates notch filters at the cutoff frequencies of the all-pass filters. By using multiple all-pass filters, with frequencies that spread from a “centre” frequency determined by the first all-pass filter, a complex comb filtering effect is generated. Adding modulation to the filter frequencies leads to the characteristic sweeping, whooshing sound that phasing is known for. BLEASS Phaser has two LFO modulation sources. The first modulates the notch filter cutoff frequencies, the second modulates the spread of notch frequencies around the initial centre frequency. This allows the plugin to create classic repetitive phasing effects, as well as complex, ever-shifting notch patterns that add tons of sonic interest to a part. With BLEASS Phaser in your collection, you will never need another phaser! More information on bleass.com/phaser