BLEASS Delay vs OtherDesertCities

BLEASS Delay is the ideal tool for adding depth, movement and interest to your mixes. No matter what style of music you are producing and what instrumentation you are working with, the versatility and ease-of-use of BLEASS Delay helps you achieve perfect results with the minimal of fuss. Echoes are just the starting point for BLEASS Delay. The integrated frequency shifter and dual filter allow deep control over the character and sound of the generated repeats, allowing you to achieve with one plugin sound effects that may otherwise require a complete plugin stack and complex routing. BLEASS Delay also includes three LFOs, one each for the delay engine, the frequency shifter and the filter. As well as allowing the plugin to create classic modulation effects such as chorus and flanging, the dedicated LFOs are ideal for creating exciting sound effects and epic, constantly-shifting soundscapes. BLEASS Delay App is an AUv3 plugin. A Desktop compatible plugin (VST3 / AU / AAX) is also available for Windows and macOS. More information on https://www.bleass.com/delay/

Other Desert Cities is a multi-mode delay plugin built for sound designers, producers, and anyone who thinks regular delays are getting a little boring. Named after the famous sign on the I-10 leaving Los Angeles, Other Desert Cities takes you down less-traveled roads. Six algorithms, each with its own distinct personality. A full suite of modulation. A diffuser that smears feedback toward reverb. And gain-structure controls deep enough to duck, pan, and route almost anything. ALGORITHMS Desert Shores — a clean dual stereo delay with saturation, filtering, spread, and crossfeed. Mecca — a reverse delay with smooth crossfading and an optional Reflect mode that alternates playback direction on each repeat. Cactus — a dual-delta delay. Each side runs as a variable-speed looper, playing forward or backward at any speed from zero to 2x, with pitch quantized to octaves, fifths, or semitones. Thermal — a multi-tap delay with up to sixteen equally-spaced taps per side, each with its own level. Mirage — a variable-speed multi-head delay inspired by the 1967 Eltro Information Rate Changer. One to four rotating heads play through a circular buffer at any speed from -2 to +2. Sky Valley — a granular delay with independent control over grain size, scatter, and pitch randomization. Transpose from three octaves down to one octave up. MODULATION Two tempo-syncable LFOs with variable shape and skew, plus an envelope follower with sidechain input. Almost every parameter in the plugin can be modulated. Click any knob and assign modulation depth from each of the three sources independently. DIFFUSER A diffusion processor sits inside the feedback path, with controls for size, diffusion amount, modulation rate and depth, and a dedicated low-cut filter. At high settings it takes the delay into reverb territory, especially paired with the Thermal algorithm. LEVELS Full input/output gain control, stereo width, independent delay pan, regeneration balance, and wet balance. Input level and mute sit before the delay block, so the plugin works correctly as both an insert and a send, with proper tails behavior. PRESETS Factory presets from Chris Randall, Matthew Lyon, Red Means Recording, and Time Rival, plus a cross-platform XML-based preset manager with import, export, and clipboard paste. FEATURES Six distinct delay algorithms Two LFOs and an envelope follower with sidechain Diffuser with independent modulation Tempo sync on delay times and LFO rates Delay times up to two seconds free, ten seconds synced Cross-platform XML preset format AUv3 and standalone Also available for macOS, Windows, and Linux in VST3, AU, AAX, and CLAP formats from Audio Damage.