ShockWave vs BB17 Binaural Auv3 Synth

ShockWave is a monophonic Synthesizer designed to bring modular style workflow to the world of iOS & AUv3 plugins. Built around the concept of Phase Distortion (PD) Synthesis, Shockwave includes a pair of PD Oscillators each capable of creating everything from pure Sine Waves over smooth Sawtooth and Square Waves to Resonance & Sync sweeps, filtered Noise and more. In addition to the Synth Voice, ShockWave includes a dedicated control section housing a pair of 8 step sequencers, a sample & hold module as well modules for trigger divisions, logic comparisons and controlled randomness. A pair of Low Frequency Oscillators and 2 Attack/Sustain/Release (ASR) Envelopes serve as main modulation sources and can be used in a number of ways. Envelopes can be triggered from a number of internal sources including other modules such as trigger divider, logic or chance module but can also be connected to each other allowing for a wide range of patches usually only possible in large modular systems. LFOs are individually tempo sync-able and capable of producing total of 5 different waveforms each. The two sequencers can run independently or combine to one 16 step sequence where rate and length can be controlled independently for each of the two. In true modular nature almost any control within ShockWave can be modulated with up to 11 sources - simultaneously. Modulations are setup simply by holding a control and dialling in the desired amount in a list of all available sources. A special X-Ray mode adds a realtime display of all currently active modulations right at their corresponding control making it easy to understand what's happening inside the synthesizer at any given time. Synth Voice and Control Section are accompanied by built-in Delay and Reverb sections placed on send busses with all of their controls including the send levels being available as mod destinations. Last but not least, ShockWave features a solid MIDI implementation including support for, aftertouch, velocity, wheels, custom CC mappings and up to 4 dimensions of expression when using MPE compatible controllers, such as the Roli Seaboard, Linnstrument, Geoshred, KB-1 and others. MIDI Output is supported as well and includes Note and Control Change output generated from various internal sources including Sequencers, Envelopes and LFOs making it possible to control external MIDI gear or chain multiple plugin instances for advanced, self driving patches. Overview: - Semi Modular Monophonic Synth Voice - Phase Distortion Synthesis (PD) - Dual PD Oscillators with 5 Waveforms + Noise - Dual ASR Envelopes with variable trigger source - Dual LFO with Tempo Sync - Cross Modulation with Linear/Exp. FM, PM, AM & RM - Mixer section with individual pan and level controls per oscillator - Output VCA with variable control source - Pattern Generator for generating sequences from various internal sources - Quantizer to force note input into a specific scale (19 Scales + User Scales) - Step Sequencer with 2x8 or 1x16 steps, individual rate and number of steps per row - Trigger Divider for dividing internal trigger sources - Probability Gate for adding controlled randomness - Sample & Hold for additional randomness - Logic Module to create triggers from various internal sources - Built-in Delay & Reverb Effects - MIDI Note and CC output for controlling external gear or chaining multiple instances - Semi Modular Architecture - 11 Modulation Sources - 40 Modulation Destinations - 2 Color Themes MIDI Input: - 4D Expression (Glide, Slide, Pressure & Velocity) - Mod & Pitch-Wheel - Tempo Sync - Custom CC Control MIDI Output: - Note - Control Change Connectivity: - Standalone - AUv3 - AudioBus - IAA

High fidelity Synthesizer designed for generating Binaural beats and exploring alternate scales. ~ Tone Generation (additive & precise) Additive waveform generation allows for a softer sound on the high end while maintaining the distinctive feel of these classic waveforms. Additive oscillators are indicated by a lowercase title. ~ saw The additive sawtooth wave is generated by adding all the overtones one through 17. ~ sqr The additive square wave is generated by adding all the odd overtones 1 3 5 7 9 11 13 15 & 17. These two additive oscillators sound a bit smoother on the high end without the near-infinite overtones of their precise counterparts. Uppercase indicates a precise oscillator: ~ SAW Sawtooth Wave, try all SAW waves with some detune & low pass filter for the classic supersaw effect! ~ TRI Triangle Wave, smooth sound, good for pads or lead. ~ SQR Square Wave, good for the classic vintage feel. The precise form is calculated according to the mathematics of their respective equations. ~ Binaural Beats The Binaural Slider to the left of the oscilloscope and will offset the right speaker by the amount of HZ listed above it. This enables the generation and experimentation of binaural beats for scientific and recreational purposes. 8 Currently Available Temperaments: ~ 12 Tone Equal Temperament Standard Tuning with A at 440 Hz ~ 5 Tone Major Just Intonated Major Pentatonic scale ~ 7 Tone Harmonic Just Intonated Arabic double harmonic minor scale ~ 12 tone Just Intonated The twelve tones western listeners are normally familiar with pitched by just ratios and based off a selectable root note. ~ 17 Tone Arabic Arabic Scale Quarter tone Scale, typically 7 are chosen from this set for a modal piece ~ 22 Shruti Indian Much like the Arabic scale often a subset of notes is chosen for a piece. ~ 26 Tone Turkish Turkish Scale ratios provided by Peter Biffin, the spike fiddle maker. ~ 43 Tone Parch Harry Parch was a pioneer in microtonal music and an avid instrument maker. This temperament with a Root note of G and Root Frequency of 392 hz allows parch fans to compose for the chromelodeon on the go. Please report any feature or help requests by selecting the support URL