CreativeGrading vs CyanCamera App

With Grass Valley's new Creative Grading, the Focus and LDX camera series just unleashed their full potential. Creative Grading is a new camera shading control panel and tablet application that redefines the human interface and puts the user in full control of the creative power that lives inside Grass Valley cameras. Using either or both a tablet and an intensively-tested new control panel, Creative Grading transforms camera shading from what was numeric on/off thinking to a holistic view of organic curves and color shaping. For ease in visualization, the larger UI of the tablet application provides a graphical representation of the impact of parameter changes. Artistic decision-making is much simpler and faster as shaders can see how a single change affects related sets of parameters in a system-wide view of how the on-screen image will be modified. This keeps shaders in full control, regardless of the situation and provides the camera operator with the most optimal working conditions for the task.

CyanCamera Your phone becomes a numbered camera on your CyanView gateway, shaded live from the same RCP your team already uses on every other camera in the show. Same panel, same workflow, same look as the 210+ camera models CyanView controls. Remote control from the RCP ISO, shutter, iris, exposure compensation, white balance (temperature, tint or 5600K preset), focus, auto focus and zoom respond to the RCP over REMI, with precise fine clicks and configurable knob steps. Custom buttons switch lenses, toggle the look, flip the camera, start recording, switch RTP and SRT, nudge the bit rate, toggle HDMI, lock, zen mode and stabilization. Red, green and call tally light a border around the picture. The RCP sees battery, thermal state, HDMI, codec and free space. REMI Cloud connects the phone to an RCP over the internet, with auto, regional (Asia, Australia, Brazil, EU, US) or manual server selection and a latency probe. Iris priority on iPhone 18 Pro variable aperture lenses (iOS 27). Auto exposure can be fenced inside an operator-set ISO and shutter window, like a limited AGC. Manual values survive restarts and fall back to auto when the RCP is lost, by policy. External control VISCA over IP. Blackmagic zoom and focus demand over USB MIDI. A REST settings API with export, import, reset and status, so a gateway or script configures the phone. Capture HEVC 8 or 10-bit, ProRes 422 Proxy to HQ, Apple ProRes RAW on supported iPhones. Rec.709, P3 D65, Rec.2020 HLG, Apple Log and Apple Log 2, with Log and HLG at 10 bits end to end. Bit rate automatic or fixed up to 240 Mbps, to the photo library, an SSD or any Files folder, with custom file names. Presets from 23.98 to 60 fps in 1080p and 4K, plus 120 and 240 fps. The sensor clock is pinned to the exact fractional cadence. Still photos, stabilization modes, lens-locked or physical-only zoom, 180 degree flip, microphone policies, frame guides, shutter angle display and a thermal monitor that sheds load before iOS throttles. Genlock and timecode With the Blackmagic Camera ProDock, genlock and LTC on BNC lock the phone to house sync, so the feed cuts frame-accurately. Recordings carry a timecode track with offset trim. Timecode can also come from MIDI timecode over the network or NTP. Genlock needs iPhone 17 Pro or later. HDMI output Rec.709, HLG or Apple Log 2 at up to 10 bits through a USB-C adapter, with audio monitoring and anamorphic de-squeeze. Preview and Output modes bake the look on the GPU. Broadcast mode (iOS 27) sends the sensor feed straight to the link at exact cadence with SMPTE ancillary metadata for the lowest latency. Live color shading A GPU port of the CyanView multimatrix: lift, gamma, gain, saturation, hue, local contrast, a 16-vector multimatrix and gate/select, all live from the panel and baked into a 3D LUT scoped per consumer: preview, HDMI, recording or stream. LiveLab LUT stream Load any .cube as your base look. CyanView LiveLab pushes LUTs live over the network and grabs frames for grading. Look and Apple Log to Rec.709 conversions ship in the app. Scopes Native GPU RGB parade, histogram and vectorscope with a configurable refresh rate, plus an audio meter. Streaming RTP for ultra low latency on the local network, a few frames glass to glass, with a lossless path and a control channel into FXVP. SRT for the public internet in caller or listener mode with encryption, AAC audio and NTP timecode SEI for Makito MultiSync. H.264 or H.265, bit rate changes live from the phone or the RCP. Requirements Remote control and shading need a CyanView RCP. Everything else runs standalone. Genlock and LTC need a ProDock. Apple Log 2 needs iOS 26. Broadcast HDMI and iris need iOS 27.