BLEASS Reverb vs Replicant 3

Reverbs let us simulate acoustic spaces, but with BLEASS Reverb you can mutate and warp that space in realtime with tactile, hands-on controls. If what you need is great-sounding acoustic simulation, BLEASS Reverb is happy to help. But BLEASS Reverb goes far beyond conventional reverb processors. Its mutable reverb generator, freeze mode and built-in ducker open doors to whole new worlds of sonic possibilities for you to explore. BLEASS Reverb's clear, colourful and intuitive interface lets you focus on the important details of your sound without overwhelming you with countless arcane options and settings. And your iOS device won't be overwhelmed either, thanks to BLEASS Reverb's super-efficient engine. FEATURES • Input section with gain, pre-delay and a high-pass or low-shelf filter • Reverb engine with size, length, HF damping and modulation (rate and amount) • Freeze mode • Transform panel: frequency shifter & wave shaper on an X/Y pad to morph the reverb in realtime • Built-in side-chained ducker with threshold, attack and release • Dry/Wet control • Preset manager with a preset generator • Clear single-screen interface on iPad and iPhone WORKS WHERE YOU MAKE MUSIC BLEASS Reverb is an AUv3 plugin. Load it in GarageBand, Logic Pro, AUM, NanoStudio, Koala Sampler, Loopy Pro or any other AUv3-compatible host. A standalone app is also included. BLEASS Reverb is also available for Desktop (VST3 / AU / AAX) on macOS and Windows. More information at www.bleass.com/reverb

Replicant 3 is a real-time audio slicing and mangling effect, the third generation of the plugin that started the genre in 2007. Feed it any audio and Replicant's sequencer captures, loops, reverses, and re-slices it on the fly, layering in delay, filtering, panning, ring modulation, and bit-crushing to turn predictable tracks into something unpredictable. Version 3 is a ground-up rebuild with an all-new sequencer engine, expanded effects, and a redesigned interface that makes programming complex slice patterns fast and intuitive. SEQUENCER ENGINE Program 3 to 16 steps per measure with multiple step-size modes, from dotted notes through nontuplets. Build rhythmic patterns that go well beyond straight time. Per-step probability, direction (forward or reverse), and effect routing let you create patterns that evolve and surprise. FOUR SLICE EFFECTS The original Stutter capture-and-repeat is joined by three new modes. Delay adds rhythmic echoes to sliced audio. Redukt applies bit-crushing and sample-rate reduction for lo-fi destruction. Ring Mod adds metallic, inharmonic tonal coloring to any slice event. ENVELOPE CROSSFADING Smooth transitions or hard-gated rhythmic chops on every slice event. Control the attack and release shape of each captured buffer for precise dynamic control. MANUAL AND MIDI TRIGGER Bypass the sequencer entirely and fire slices on demand. Manual trigger mode works with touchscreens for live performance. MIDI trigger lets you drive Replicant from a controller, keyboard, or DAW automation. REDESIGNED INTERFACE A visual step sequencer puts your entire pattern on screen at once. Edit steps, assign effects, set probabilities, and adjust parameters without menu-diving. CROSS-PLATFORM PRESETS XML-based preset manager with presets compatible across all Audio Damage plugin formats and operating systems. SOUND DESIGN IDEAS Sequence stuttering vocal chops with per-step filter sweeps. Build glitched-out drum fills by randomizing slice direction and bit-crushing depth. Layer ring modulation on sustained pads for metallic, evolving textures. Use MIDI trigger mode to fire slices manually in a live set. Program polyrhythmic slice patterns with odd step counts against 4/4 time. Run full mixes through Replicant on a bus for controlled chaos breakdowns. AUv3 compatible. Runs standalone or hosted in AUM, ApeMatrix, Audiobus, Cubasis, GarageBand, and other AUv3 hosts on iOS 11 or newer. From Audio Damage, making creative software for discerning musicians since 2002.