Mix Bus Compressor vs L2 Aura

This compressor has the lowest total harmonic distortion of any plugin we have seen, including desktop units. At the heart of it is a unique envelope follower design that makes it possible to compress the signal without creating distortion harmonics. On the spectrum of compressor tone that ranges from "vintage analog" to "pristine digital", this plugin sits at the extreme end of low-noise digital clarity, but it is different from other low-noise digital designs because it doesn't use digital look-ahead. Therefore its response time is immediate, it adds no extra delay to the signal chain, and it works great for processing real-time performance effects. It uses no oversampling so there is no phase distortion or loss of high-frequency energy from anti-aliasing filters. It also uses no digital-style filters (FIR filters) and no digital look-ahead, so it adds no additional latency to the signal chain. Although it is not a model of an existing piece analog hardware, every component of its signal path is realizable in the analog domain. We think of it as a digital model of our ideal analog compressor: it could exist as an analog circuit but would be very expensive to build with physical analog electronic parts. The user interface is 100% scalable, designed specifically for iOS, so it looks beautiful at any screen size or orientation, from tiny portrait views in AUM on iPhone to the largest full-screen views on iPad Pro.

L2 Aura is simple to use, delivering the gentle, smooth compression to vocals, guitars, keyboards, basically everywhere. Level your screams with precision and keep them where you want them. Dual-mono feature gives you more control over your bus. Ideal for making sure the track stays tight in the mix. Key Features: - Tube-driven output - 2 modes (compress/limit) - Dual-mono mode Available in AUv3 and standalone