JAF Model One vs Callback Freeverb

The MODEL ONE is a selected, fine-tuned general purpose (transistor ladder model) analog modelled filter with the ability of self oscillation. The cutoff slope is approximately 24dB. It can be switched to low pass or high pass processing mode. The Model One, like all our filter models, is a true stereo processing audio effect, which includes a special audio-rate (high frequency) modulation oscillator, that can modulate the main parameters of the filter to its extremes. The modulation oscillator is not related to the inbuilt unison oscillators, which is a complete separate, different unit. All our models have also an inbuilt additional saturation unit for the extra bit of analog drive. This saturation unit and the oscillator section can be used without the filter module, because the filter unit can be switched to pass the incoming audio signals thru. The available vintage warmer tube/tape saturation type for instance is an excellent choice for breathing life into any obvious digital audio material. It can be applied to entire mixes as to individual tracks and voices. The hosting app for the Model One has special MIDI connectivity, thus parameters can be automated with realtime MIDI Controllers (See MIDI implementation chart).  The MIDI features on the audio unit depends on the fact, whether the host application will send MIDI messages to the plugin in any way with the audio processing block or not. The audio unit can be loaded into all supporting audio unit hosts. If successfully loaded into a host, all parameter automation and preset handling will be handled by these host applications.

A classic algorithmic reverb effect based on the Freeverb algorithm by Jezar at Dreampoint. A Freeverb-style Schroeder/Moorer reverb based on the classic 8-comb + 4-allpass topology, with simplified controls and no stereo spread. This reverb creates lush, spacious ambience through a network of comb and allpass filters. Freeverb is widely used in electronic music production, ambient music, and sound design to add depth, space, and atmosphere to audio sources. The algorithm provides a smooth, musical reverb tail that works well on everything from vocals to synthesizers. This reverb only functions in mono and provides no stereo imaging, and the user can expect the same behavior as a classic Freeverb implementation otherwise.