BandDelay vs BLEASS Phase Mutant

The multi-band delay BandDelay is an exciting tool for sound design and loop manipulation in realtime. In contrast to common delay processors BandDelay splits the frequency spectrum of the input signal into 27 bands and applies a separate delay unit to each band. The delay times can be synchronised to the host tempo generating nearly infinite rhythmical and sonic variations of the input signal. For each of the delay bands you can specify the delay time, the level and the feedback amount separately. These parameter changes can even be automised in realtime for glitch free rhythmical morphings. A few high level parameters let you change the delay times and feedbacks of all delays with the turn of a single knob. - 27 band realtime multiband delay. - Frequency dependent level, delay time and feedback - Linear phase precision filters for maximal transparency - Tempo syncable delay times up to 6 seconds. - Meta parameter for quick access to rhythm variations - Effect AudioUnit for use in hosts like Garageband, Cubasis, AUM and others - Full AU parameter automation - Ableton Link compatible - stand alone / Audiobus 3 / IAA

Developing BLEASS Omega gave us the perfect opportunity to take a deep dive into the fascinating sonic capabilities of FM synthesis, and this sparked an innovative idea: A plugin that can apply the principles of frequency modulation to literally any source material. The result is BLEASS Phase Mutant. Where existing phase distortion plugins create their effect by using an audio signal to modulate itself, BLEASS Phase Mutant takes things to an entirely new level with the addition of an oscillator that can modulate the input signal or be modulated by it. This allows BLEASS Phase Mutant to fully harness FM’s ability to create complex and colourful harmonic distortions, achingly expressive tonal variations, and fascinating sonic hooks. BLEASS Phase Mutant’s oscillator tracks the input signal’s pitch, or can be set to a factor of that input pitch. It can also produce a range of different waveforms, all of which can be spread across the stereo field by offsetting the phase of left and right channels. In combination, these abilities open up a whole new universe of unique, modern-sounding effects that are perfect for vocals, basses, arpeggios and leads. You’re going to love what BLEASS Phase Mutant can do to your drum and percussion parts too! BLEASS Phase Mutant also offers 2 LFOs, an Envelope Follower and a Motion Sequencer with multiple modulation destinations, which you can easily visualize. BLEASS Phase Mutant is also available for Mac & Windows. Find more information and tutorials on https://www.bleass.com/phasemutant/