Continua vs BLEASS Phase Mutant

Continua is a professional synthesizer for iPad, built around a single idea: everything should move. Three oscillators with five modes each — Virtual Analog, Additive, Supersaw, Supersquare, and IXA — give you a palette that runs from warm analog warmth to aggressive digital textures to sounds that have no easy name. Stack 64 sine waves. Detune five sawtooths simultaneously. Explore phase modulation borrowed from a synthesizer most people have never heard of. The oscillators are just the beginning. Continua's filters don't switch between types — they morph between them. Low pass becomes band pass becomes high pass in a continuous sweep, with resonance and two- or four-pole slope selectable at any point. Two filters running in series or parallel, each one a moving target. Modulation is where Continua earns its name. Nearly every parameter is a destination. Every knob can receive up to five simultaneous modulation sources — envelope generators, flexible multi-point envelopes, four shapeable LFOs, sample and hold, and a random source that gives each voice its own personality. Right-click any knob to connect a source. The routing is as deep as you want it to be. New in version 1.2: the Genetics panel lets you evolve your patches through an interactive mutation tree. Start with any sound, explore branches of subtle variations, and drill down into whatever catches your ear. The arpeggiator adds eighteen patterns — from standard ascending runs to Brownian motion and probabilistic rests — all synced to your DAW tempo. Four new oscillator modes expand the raw material available from the ground up. Full MPE support means Continua responds to every dimension of expression from a Linnstrument, Osmose, Roli Seaboard, or any MPE controller. Or play it with a standard keyboard and automate everything else. Works as an AUv3 plugin in Logic Pro, AUM, Cubasis, Drambo, Garage Band, and any AUv3-compatible host. iPad only.

Developing BLEASS Omega gave us the perfect opportunity to take a deep dive into the fascinating sonic capabilities of FM synthesis, and this sparked an innovative idea: A plugin that can apply the principles of frequency modulation to literally any source material. The result is BLEASS Phase Mutant. Where existing phase distortion plugins create their effect by using an audio signal to modulate itself, BLEASS Phase Mutant takes things to an entirely new level with the addition of an oscillator that can modulate the input signal or be modulated by it. This allows BLEASS Phase Mutant to fully harness FM’s ability to create complex and colourful harmonic distortions, achingly expressive tonal variations, and fascinating sonic hooks. BLEASS Phase Mutant’s oscillator tracks the input signal’s pitch, or can be set to a factor of that input pitch. It can also produce a range of different waveforms, all of which can be spread across the stereo field by offsetting the phase of left and right channels. In combination, these abilities open up a whole new universe of unique, modern-sounding effects that are perfect for vocals, basses, arpeggios and leads. You’re going to love what BLEASS Phase Mutant can do to your drum and percussion parts too! BLEASS Phase Mutant also offers 2 LFOs, an Envelope Follower and a Motion Sequencer with multiple modulation destinations, which you can easily visualize. BLEASS Phase Mutant is also available for Mac & Windows. Find more information and tutorials on https://www.bleass.com/phasemutant/