Continua vs FabFilter Twin 3

Continua is a professional synthesizer for iPad, built around a single idea: everything should move. Three oscillators with five modes each — Virtual Analog, Additive, Supersaw, Supersquare, and IXA — give you a palette that runs from warm analog warmth to aggressive digital textures to sounds that have no easy name. Stack 64 sine waves. Detune five sawtooths simultaneously. Explore phase modulation borrowed from a synthesizer most people have never heard of. The oscillators are just the beginning. Continua's filters don't switch between types — they morph between them. Low pass becomes band pass becomes high pass in a continuous sweep, with resonance and two- or four-pole slope selectable at any point. Two filters running in series or parallel, each one a moving target. Modulation is where Continua earns its name. Nearly every parameter is a destination. Every knob can receive up to five simultaneous modulation sources — envelope generators, flexible multi-point envelopes, four shapeable LFOs, sample and hold, and a random source that gives each voice its own personality. Right-click any knob to connect a source. The routing is as deep as you want it to be. New in version 1.2: the Genetics panel lets you evolve your patches through an interactive mutation tree. Start with any sound, explore branches of subtle variations, and drill down into whatever catches your ear. The arpeggiator adds eighteen patterns — from standard ascending runs to Brownian motion and probabilistic rests — all synced to your DAW tempo. Four new oscillator modes expand the raw material available from the ground up. Full MPE support means Continua responds to every dimension of expression from a Linnstrument, Osmose, Roli Seaboard, or any MPE controller. Or play it with a standard keyboard and automate everything else. Works as an AUv3 plugin in Logic Pro, AUM, Cubasis, Drambo, Garage Band, and any AUv3-compatible host. iPad only.

Since its first release in 2005, FabFilter Twin has been famous for its filter quality and oscillator sound. FabFilter Twin 3 expands and improves on its predecessors in every area, including a complete redesign of the GUI and workflow, more and better oscillators and filters, a radically powered-up modulation system, an all-new FX section, and much more. Sonically versatile, supremely intuitive, and spectacularly ‘analog’, Twin 3 is a dream instrument for creating synth sounds of all kinds, from basses, leads, and pads to plucks, drums, effects, and beyond. The Twin 3 app lets you play via the on-screen keyboard or a MIDI keyboard connected to your iPad. To use Twin 3 as a plug-in, you need an AUv3-compatible host app like Auria, AUM or Cubasis. Twin 3 will appear in the list of Audio Unit extensions for instrument plug-ins in the host app. Key features: - Virtual analog synth featuring four flexible oscillators, four filters, six FX modules, and a vast modulation system with a wealth of flexible source signal generators, drag and drop source/target routing, and no limit to the number of modulation assignments that can be made - Fully redesigned, greatly simplified interface with easier workflow - Completely overhauled modulation system with redesigned modulation sources, and floating slot and FX panels - All-new FX section, housing Reverb, Delay, Chorus, Phaser, Drive, and Compressor modules - Arpeggiator with Groove/Legato controls, note order, latch options, and more - Full-featured preset browser, with tags, favorites, and search and filter functions, and new factory preset library - Per Oscillator polyphony mode: each incoming note triggers a different oscillator - Bell, Shelf, and Notch vintage-style EQ filter shapes - 6dB/octave filter slope option - Modulatable filter Cutoff/Peak Offset knobs knobs, for adjusting all filters at once - High Quality mode — 4x oversampling - Transient mode turns Envelope Followers into transient detectors - Curve adjustment handles for EG Attack, Decay, and Release stages - Slider mode (vertical-only operation) and Range setting (toggles between bipolar and unipolar behavior) for XY controllers - Hide all modulation sources except for XY controllers and Sliders at a click - Native sustain pedal support - Even better oscillator and filter sound quality, with analog-modelled drift - Maximum number of voices doubled from 32 to 64 - Lower minimum Envelope Generator Attack, Decay, and Release times - Maximum number of XY controllers/Sliders increased to six - Envelope Generator Threshold, XLFO Balance, and Frequency Offset made available as modulation targets - Modulation sources can be renamed - Maximum number of modulation slots increased to 100 - Legato mode for MIDI-triggered XLFO - Range options added to MIDI Sources: Negative (-1 to 0), Centered (-1 to 1), and Positive (0 to 1) - Carefully designed and curated factory presets, plus the ability to save your own presets - Undo/redo and A/B comparison "FabFilter Twin is one of the best virtual analogues we've heard so far, and at this price point it's well worth the investment!" — Computer Music "Once I found FabFilter Twin, I immediately noticed how great it works and how amazing it sounds!" — George Morel