JAX Unisonic (Audio Unit) vs FeedbackGuard

JAX Unisonic is a special Audio Unit, able to produce up to 8 additional voices from any audio input (also polyphonic audio) by multiplying and shifting it in pitch and other parameters. Audio Units require a host application for operation. The concept of JAX Unisonic is loosely derived from ‘Unison’ which was adopted from the ancient analog synthesizer world, where manufacturers and sound designers intended to fatten the sound by multiplying and stacking available voices together. Also digital synthesizers did adopt this technique to fatten sound sources. Due to the instability of analog oscillators and components and some wilful detuning, an interesting sonic effect is achieved, giving the produced tones significantly more presence and life. Unison voices are still excessively used in modern music styles today. (In classical music compositions ‘unisono’ basically means a performance, where multiple instruments or voices play the same parts in an ensemble fashion.) Technical Now JAX Unisonic can simulate this sonic effect with any audio source by incorporating a bank of independent time domain pitch shifters, that are optimized to detune and spread artificially multiplied voices in panorama. It can be understood as a kind of super chorus generator or an ensemble like effect with variable, realtime controlled intensity and pitch relation. But it is clearly something more. With JAX Unisonic you can create up to 8 additional voices, that will be passed thru a chain of pitching and positioning, creating massively fattened sounds with any kind of voice input. Additionally you may transpose each voice individually per semitone to max. +/- 1 octave, something that cannot be achieved with usual choruses, unison or ensemble effects and moves the results slightly in the direction of the category “harmonizer” effects. Although the harmonic results can be programmed (automated) freely and are not auto generated in any way, as on some available other harmonizers. The used pitch shifters in our JAX Unisonic are NOT based on the phase vocoder paradigm (FFT) and do not introduce the static latencies, which are unavoidable by the latter. A time domain pitch shifter in contradiction, uses very small delay buffers, where the latency is dynamically adjusted (dependent on the used pitch shifting amount) and much smaller and nearly latency-free. Such pitch shifters are better situated for live usage therefore. Although, such pitch shifters sound slightly more raw and tend to produce disharmonic overtones with more extreme values. Usage JAX Unisonic may be used as a massive unison effect generator or more decently for creating various, more subtile effects for improving sonic qualities of parts in a composition. For instance controlled voice detuning, manual pitch correction, doubling of vocals or solo instruments or just to give some boring voices more interest and static sound some special movement. It is even usable with drums, adding subtile or even massive new frequency components.

FeedbackGuard is an Audio Unit v3 effect that stops acoustic feedback before it ruins your performance. Whether you are singing live, speaking on stage, or recording vocals on iPad, FeedbackGuard listens for runaway howling and automatically places precise notch filters — so you can focus on the show, not the squeal. HOW IT WORKS FeedbackGuard uses PNPR (Peak-to-Neighbourhood Power Ratio) analysis combined with a growth check to tell real feedback apart from normal voice, speech, or room tone. When a howling peak starts to build, the plugin tracks it with parabolic peak detection and deploys an adaptive notch bank that reacts in milliseconds. Designed for live use: attack and release times, suppression depth, and notch count are all under your control. KEY FEATURES • Real-time howling detection (PNPR + run-up check) • Adaptive notch bank — up to 24 simultaneous notches • Live spectrum display with active notch markers • "Balanced" preset for safe, transparent defaults • 3 user preset slots — tap to recall, hold to save • Fine-tuned controls: Sensitivity, Notch Threshold, Suppression, Q, Attack, Release • Optional harmonic tracking for stubborn feedback tones • Optional spectral noise reduction for quiet passages • Full bypass GET STARTED IN SECONDS 1. Open your AUv3 host (GarageBand, AUM, Cubasis, and more) 2. Insert FeedbackGuard as an audio effect on your vocal or monitor channel 3. Tap "Balanced" for recommended live settings 4. Raise Notch Threshold if notches appear on voice or room tone IDEAL FOR • Live vocals and speech • Rehearsals, worship, small PA setups • Mobile recording rigs on iPhone and iPad • Any situation where monitor feedback is a risk COMPATIBILITY • Audio Unit v3 (aufx) effect • iPhone and iPad • Works in any AUv3-compatible host • Mono or stereo, sample rates from 8 kHz to 192 kHz FeedbackGuard — Adaptive Feedback Suppressor by Norwin Palme.