Stereo Width Control vs Spatializer

Stereo Width Control is an Audio Unit plugin that allows you to increase or decrease the stereo width of 4 adjustable frequency bands. Mastering engineers use it to ensure that the bass frequencies of the kick drum and bass instruments stay tightly focused in the centre channel while a keeping spacious stereo image in the mid range frequencies. Stereo Width Control operates with your choice of 1 to 4 separate bands. Each band has a solo control, used to audition that band on its own while you adjust its frequency range and stereo width setting. In the lower right is a stereo vectorscope graph that is helpful for visualising the volume and stereo width of your tracks. NOTE: This app is an Audio Unit plugin that runs inside of host apps such as GarageBand. It does not process audio in standalone mode.

Spatializer is a great choice if you want to widen your sounds but need to avoid: • phase smearing in the mono mix • phasing / comb filter effects (from asymmetric channel delays) • or any changes to the mid channel or mono mix The plugin's main focus is to enhance sounds that have little or no side channel information, where traditional widening approaches like mid-side processing can't be effectively used. It also offers more flexibility in case of mixed inputs, widening narrow components without boosting already existing stereo width to extreme levels that would drown out the mid channel, leading to stereo image problems. Spatializer can also be combined with other effects, for example it's excellent for augmenting large-scale reverbs by enhancing the more immediate space or effectively moving the listener closer to the virtual sound source. At large timescales, the plugin takes on some of the qualities of a reverb itself, while keeping the mid channel sharp and free of any reflections. This could either be used as a special effect in and of itself (depending on the transient characteristics of the input), or be blended together with traditional ambience or acoustic space simulation effects. FEATURES: • Synthesis of side channel information where there was none (stereoization of mono sources) • Linear phase mid channel • Capability to deliver both a neutral / transparent response as well as stronger effects • Built-in multiband transient shapers for delivering a more focused response by suppressing outlier reflections • Multiple visualization options: Directional RMS distribution, position and motion • Effects can range from close-proximity / spatial audio effects to larger acoustic space reflections • Baseline frequency response is optimized to maximize flatness, balancing the spectral density of Left, Right, Side channels The built-in selection of subtly tuned presets and the combined psychoacoustic properties of the above features give more leeway to easily experiment with kinds of source material that have traditionally presented difficulties, like tracks with prominent LF content. Due to its ability to provide transparent, subtle and high-clarity responses, as well as good spectral density characteristics, Spatializer can also be included in master bus effects chains. In multi-track setups it can be used in parallel with other positioning methods to bring more variation to the sound stage or to provide additional ways to adjust the mix. For audio demos, visit: www.quantovox.com/sp PLEASE NOTE: • AUv3-compatible host application required • Supported sampling rates: 22.05, 44.1, 48, 96 kHz.