SmashCut Visual Synth vs Fauve

Musicians have used audio samplers for decades, triggering drum sounds, pianos, and hundreds of other instruments using MIDI keyboards and sequencers. SmashCut brings the same sort of functionality to video content. Load in any video from your camera roll, easily set cue points in the video, and you're ready to play with video in a new way. The app responds to MIDI note messages to seek to cue points, and start or stop playback. With MIDI CC messages, you can scale, rotate, and transform the video in a live and interactive way. And if you don't have a MIDI keyboard, you can still use all of the features of the app -- there's a built-in MIDI controller that you can use on a second iOS device. What can you do with SmashCut? If you're making a presentation using video, you can trigger play and stop using the remote, and move to different cue points easily. If you stream video or podcast, you can use SmashCut to cue to a video clip with no hassle or headache. The iPad version of the app runs on a Silicon Mac, and works well with streaming software such as OBS. If you have a band, and are putting on a show, you can sequence video to keep in time with the music. SmashCut is a great way to put together a music video, or to just cut, splice, and glitch video for fun. Instead of trimming video clips in a conventional editor, you can play with video like you would a musical instrument. There's full support of MIDI, and also an easy Wi-Fi based connection system; if you have two devices on the same Wi-Fi network, they'll connect in seconds. You can use the iOS built in screen recorder to capture video and audio from the app. The app is universal, running on iPad, iPhone, and Silicon Macs. There's a watermark on-screen that can be removed with an in-app purchase.

Fauve is an audio processor that collects sonic fragments and replays them, not always faithfully. It forgets, distorts, and glitches into new meanings.  Like the hallucination of a broken machine. A fractured memory, yours to reshape. "Fauve is a perfect cure for sound-alike effects. It really is distinct from other buffer/glitch and granular tools. And it strikes an ideal balance between predictability and weirdness, between polished controls you can learn and master and unexpected combinations that surprise you." Peter Kirn – CDM By continuously recording incoming audio, Fauve analyzes and breaks sound into small units we call collections. When playing them back, it sometimes fails, opening space for the user to edit and shape the material according to their own sonic vision. Fauve can be a harsh distortion, a gentle shadow, a paroxysmal dance between reality and dream, and much more. It can slightly scramble your sound, completely strip it of its original meaning, or introduce subtle, almost imperceptible variations to make it richer, yet always organic. Fauve disrupts, but never destroys. REMEMBER / FORGET Fauve listens and remembers — but it may forget to capture the present, getting stuck in the past. It blends memory and reality, shaping a soundscape as if it were truly what it just heard. BEHOLD THE HALLUCINATION Beyond the native errors of its faulty replicatory nature, Fauve opens space for your design: you can shape the playback of fragments using classic sampling/slicing parameters like Disorder, Repeat, Freeze, and playhead rate. SHAPING THROUGH ABSENCE Sculpts amplitude in two distinct ways through Absence: turn left to assign a random value to each fragment for more organic results, or turn right to introduce audio drops, adding uncertainty, or even reaching distortion wilderness on shorter fragments. BEYOND BALANCE: ENTER THE MIRAGE Let Fauve blur reality with its dream using the Mirage parameter. Shape the balance, focus it across the stereo field, and control amplitude for both source and processed sound. LOCK PARAMETERS Enable lock toggle to preserve key parameters values while browsing presets. IN-GUI INFOS Enable Infos toggle to get all parameters details always in sight; just hover on a parameter. Fauve is a totem/series plugin, and like all totems, it follows its own logic. Timing in Fauve doesn’t rely on beats or note values — it’s driven by the material itself. Every operation is triggered by zero crossings, making the outcome deeply dependent on the source. Same settings, radically different results.