DrumComputer vs Tating

DrumComputer is the new specialist for synthetic drums, combining classic and modern synthesis with flexible modulations and luxurious sequencing. Intelligent randomizers, elegant pattern editing and import of your own samples are just a few of the mind blowing possibilities. Enjoy new drums everyday and get inspired by all the creativity that DrumComputer sets free. Just because, there still is all the unheard of... More than 400 global presets and 450 engine presets are shipping with DrumComputer. Add the Sound Randomizer and you have an unlimited source of cool sounds. ::FEATURES:: • 8 Sound Engines, each one layering a Resonator, Wavetable/Analogue, Resynth and Sampler • Filter, Compressor, Overdrive and 2 kinds of Send Reverbs: Room and Hall • 2x Env/LFO, plus Synth-Engine-Modulators, Sequencer-Modulators, ModMatrix • Intelligent Randomizers for endless Drum Sounds • 16 Step Sequencer and Pattern Generator, Probability, Rolls, +/- Step Delay, Swing, Humanize • Auto- und Manual Remixing/Fills • Easy Keyboard Mapping for Patterns, Mutes and Engine Triggers • Keyzones for Rolls, Pitch and Modulation • AUv3 plug-in with MIDI FX support & Standalone • Audio Bounce • MIDI File Export • Multiple Audio/MIDI Outputs • Virtual, Network, External & Bluetooth MIDI • Ableton Link • MIDI Learn & Host Automation • Preset iCloud Sync • Preset Share ••• Sound Engines ••• 8 individual 3-layer synth engines to design, shape and sculpt powerful drum hits. Depth modulation area with envelopes, LFOs, and a complex modulation matrix to change most parameters using a wide array of sources. Finest noise table conversion technology, followed by a filter, distortion and side chain compressor. ••• Sequencer ••• Enjoy smart randomization to create patterns that feel natural and organic and add some feeling to the pattern with swing and 'humanization'. Move various parameters along to match the notes, such as velocity, pitch, decay, probability, roll and offset. ••• Kit Page ••• Bring all the individual sounds together in one place, select new sound presets or even randomly generate new sounds based on various sound type profiles and give your kit some character, punch and an analogue feel! ••• Mix ••• With Volume, Mute, Solo, Pan as well as two reverb return channels you can send any of your sounds to at any time and also assign the mixer parameters as modulation destinations. The Room reverb gives you a nice familiar space, letting you glue together multiple drum sounds, while the Hall reverb gives a massive space you can use either as a utility, or as way to fire your sounds off into the cosmos! ••• Mapping ••• Create up to 16 individual patterns (from scratch, or using the easy copy/paste function), and chain these together into a sequence, up to 16 patterns long. Use your MIDI keyboard or controller to send values that quickly and seamlessly switch between patterns on the fly. Quickly remove and add the individual hits, trigger rolls of different speeds, or even have them as pitch modifiers. ••• Auto- and Manual Remixing/Fills ••• Mash up your patterns with one simple parameter and produce all sorts of automatic and random edits to your sound. Add creative fills and variations to your loop to keep it constantly moving with fresh ideas - great for jamming or to prevent audio stagnation. ••• Wavetable/Resynth Import & Sampler ••• Import your own audiofiles to create Wavetables. Resynthesize Hihats, Snares, even Chords with the Resynth import feature or switch to Sampler mode to play back samples the ordinary way.

Tating is a drum notation editor built for a touchscreen and for drummers. Tap out a groove on the grid, hear it played back with real sounds, and read it as proper notation. No account, no sign-in, and no signal needed. BUILT FOR FINGERS Tap a cell to place a note. Press, hold and drag to paint a run of them. Flick up from a cell for that row's second sound — the open hat under the closed one, the ghost note under the backbeat. Press and hold a note for that drum's other sounds, with the full list one tap further. A DRUMMER'S VOCABULARY Ghost notes, accents, flams, drags, buzz strokes, cross stick, open, closed and tight hi-hats, hi-hat with the foot, ride and ride bell. Stickings are written under the staff and can be tapped in on a row of their own. Useful kit sounds, including hand percussion — congas, bongos, djembe, clave, woodblocks, shaker, tambourine and more — playable from the tom rows. EVERY METER, PROPERLY Time signatures from 4/4 to 7/8, 9/16 and 13/16, on straight or triplet grids, quarter notes down to 32nds. Odd meters are beamed and counted the way drummers group them, not the way a spreadsheet would. PLAY ALONG A click, a count-in, and swing. Mute the snare and play it yourself while the rest of the kit keeps time. PRACTICE PROPERLY Loop a couple of bars. Climb the tempo every few bars, or wind it down. Have the groove drop out for a bar or two and find out whether you are still with it when it comes back. Set the feel from straight to deep in the pocket and hear a laid-back backbeat before you try to play one. A counter tells you which bar you are on and how long you have played. WORK A RUDIMENT ROUND Write a paradiddle, then have Tating turn it over every 2, 4 or 8 bars while you keep playing — every inversion in one pass, without a hand leaving the sticks. Displace the whole groove instead and the backbeat moves against the barline. Fill a sticking row with all rights, all lefts or alternating hands in one press. WRITE THE SONG DOWN Gig charts: a song as its form — intro, verse, chorus, the repeats and the road map — for a music stand, beside your grooves. POCKETCHECK Play the groove on a real kit and see where every hit actually landed against the beat. It measures the speaker-to-microphone round trip first, so the reading is honest. It reports placement rather than marking you: sitting behind the beat is a feel, and what matters is how tight the cloud is. The microphone is used only while this screen is open. Nothing is recorded, saved or sent — the sound is analyzed completely on the phone. READ IT A real notation view: noteheads, stems, beams, cross noteheads for cymbals, stems up for hands and down for feet. The grid is for writing; the staff is for reading while you play. KEEP IT Save grooves to a library on the phone, with search, tags and favorites. Send a groove to another drummer as a link they can open straight into Tating, and open the links they send you. Import MIDI on the standard drum map, and export it with the unlock so grooves move out to a DAW. MAKE IT YOURS Point any drum at a recording of your own kit. Light or dark, and a choice of accent colors. FREE AND PAID The free version is a complete tool. Every meter, every grid, playback, the click, the count-in, the play-along mutes and the notation view all work without paying, and so do all forty standard rudiments. What the free version limits is how much you can keep — ten saved grooves — and PocketCheck, which is free for five takes so you can hear it work before deciding. One purchase unlocks everything, once, with no subscription: - An unlimited library, with folders - The full starter library — grooves, fills, exercises and the hybrid rudiments - PocketCheck with no take limit - Export sheet music as a PDF, a picture for a chat, or a MIDI file for a DAW - Every color theme