TB DualVCF vs BLEASS Motion EQ

Dual VCF - the ultimate dynamic filtering AUv3 plug-in! Dual VCF adds motion, shape, and colour. It produces evolving rhythmic movement and complex dynamic filter shapes. It contains dozens of analog filter models with that sought-after sound of the 70s, 80s and 90s. Combined with envelope followers and intuitive modulation editors, it provides almost infinite possibilities for creative aural exploration. Dual VCF features two filter sections, each supporting dozens of low-pass, high-pass and band-pass filter types. Every type is painstakenly modeled after analog filter types found in analog gear, analog synthesizers, and alike, including non-linear filter behavior. Dial in that characterstic 70s, 80s or 90s filter to add some analog flavor to your tracks! Each filter's cut-off frequency and resonance can be sequenced with an intuitive, free-running or beat-synced modulation editor. Seamlessly switch between sine, triangle, noise, or user-defined modulation waveforms. In addition, these parameters can also be modulated with the built-in envelope follower. The ToneBoosters DualVCF app captures the microphone (or external sound card) input and processes the signals in real time. To use it as a plug-in, use an AUv3-compatible host app such as Steinberg Cubasis, Apple Garageband, Audio Evolution Mobile Studio, Auria, AUM, or others. ToneBoosters DualVCF will appear in the list of Audio Unit extensions for effect plug-ins. How to use DualVCF as AUv3 plugin in a host program, start your favourite AUv3 host app (Steinberg Cubasis, Apple Garageband, Audio Evolution Mobile Studio, Auria, AUM, or others) and add TB DualVCF as Audio Unit insert effect to a track or output bus. See below on how to use Audio Units in various host apps. Key features: - The same professional sound as the acclaimed desktop version - Two analog filter sections with dozens of filter designs - Intuitive modulation editor for creative, rhythmic and evolving effects - Undo/redo, and A/B comparison - Color themes for the user interface - Max screen support in Garageband - Optimised for iPad and compatible with iPhone and iPod Touch What you should know: - Licenses acquired for this platform are not compatible with other platforms. - Audio Unit (AUv3) extensions require an iPad mini 2, iPad 4 or later models.

The plugin follows a graphic equalizer model, with the position of the three bands’ fader-style cut/boost controls also giving instant visual feedback of the EQ curve. But unlike a conventional graphic equalizer, BLEASS Motion EQ’s band widths are adjustable, making it easy to select the range of frequencies that will be affected by each band. Not only does BLEASS Motion EQ let you balance the tone of your audio, it can also work as a flexible filter too. Low-pass, band-pass and high pass filtering can be achieved by making use of the band mute controls. You can even create an all-pass filter effect by moving the high and low cutoff frequencies close together. The motion part of BLEASS Motion EQ comes in the form of a pair of LFOs (Low Frequency Oscillators). These can control the frequency cutoff point of each band, as well as the amount of cut or boost that each band applies, allowing you to create swirling, ever-shifting tonal patterns. And with the LFOs Synced to your DAW, all manner of rhythmic tonal pulses and movements are possible. The creative possibilities are taken to a new level by BLEASS Motion EQ’s ability to send each band’s signal to its own output bus (with AUM)*. This makes the plugin operate like a crossover, allowing you to route each band to its own track for further processing and mixing. More information on https://www.bleass.com/motion-eq/