RRS EQ3 vs Multiband

EQ3 AUv3 plug-in — comes as time-limited Demo-version for you to try. It gives you 5 minutes of Free play time. (You can reload the EQ3 AUv3 plug-in as many times as you want, thereby you get the Demo period again and again.) Unlimited version of EQ3 AUv3 plug-in comes as In-App Purchase. In the '80s it was the first to use a different approach to tonal adjustments. In conventional analog equalizers, whether they are shelving, sweepable, graphic or parametric types, various sections of the audio spectra are boosted or attenuated by adding or subtracting bandpasses. In this case, frequency shaping is achieved by summing bandpasses. Our emulation of this method is quite similar to the original and improved with additional possibilities of digital technology. Now you can hear it for yourself. There are five broad, overlapping, interacting bands: 10 (Sub), 40, 160, 650 and 2.5 кHz, along with the «rock (airy) band» control, which is an HF boost-only control. Features: • Standalone and AUv3 plug-in; • Precise port of Rack Extensions plug-in; • Modeled vintage EQ; • Boost only shelf at 2.5 kHz, 5 kHz, 10 kHz, 20 kHz and 40 kHz; • 2.5 kHz fixed boost and cut shelf; • 650 Hz fixed boost and cut bell; • 160 Hz fixed boost and cut bell; • 40 Hz fixed boost and cut bell; • SUB (10 Hz) fixed boost and cut bell; • Stereo (Mono), Mid or Side EQ modes; • Undo/Redo; • A/B comparison; • 2x/4x/8x Upsampling; • Macro controllers; • Built-in Gain Match; • Scalable GUI. When using the EQ3, remember that the bands are broad, approximately 2 octaves. They overlap one another. For example: when boosting the 10 kHz «rock band» to a +6 position on the knob, to keep the response flat through in 2.5 kHz region you should rotate the 2.5 kHz coarse knob to about a -1 position. The amount you back off the 2.5 kHz control should, of course, be set by ear. Following this kind of procedure will accomplish a more airy sound, with much more clarity. You can accomplish the same thing for the low frequency response by applying the same principles. The EQ3 will reach further into your mix than you've ever heard before with minimal phase distortion. As a result, you may need to take a little time and «play around» with the controls on the EQ3 before you can make intuitive adjustments. To use EQ3 as a plug-in, you need an AUv3-compatible host app like GarageBand, Auria, AUM, Cubasis and more — EQ3 will appear in the list of Audio Unit extensions for effect plug-ins in the host app.

Multiband splits an audio signal into separate channels: one for each of up to four frequency bands. It is useful for doing multiband processing using effects plugins that were not designed for multiband processing. For example, you could do multiband compression using two different compressor plugins, one for bass and a different one for treble frequencies. Or you could process a chorus or flanger effect on the midrange frequencies only, leaving the bass and treble clean. This plugin has two modes of operation: Multi-output and Link Group In Multi-output mode, the app takes a single channel of input and splits it into multiple output channels. Link group mode is a fallback support mode for DAW apps that don't support multi-output audio units. In Link group mode you duplicate the input track several times, once for each frequency band. Then the plugin filters out all but the selected bands on each of your duplicate tracks so that each track contains just one frequency band. It's called "Link Group" because when you duplicate the plugin across two or more tracks you can link the instances together across tracks so that the controls that set the transition frequencies between bands automatically synchronise between all the tracks in the group. HOW IS LINK GROUP MODE DIFFERENT FROM USING HIGHPASS AND LOWPASS FILTERS IN AN ORDINARY EQ TO SEPARATE THE BANDS? Whenever you play two copies of the same track simultaneously you must pay attention to phase alignment. For example, if you copy a track and invert the phase on one copy then the two copies will cancel each other out and you'll get no sound at all. Similarly, if you duplicate a track and process filters separately on each copy, when you combine the two copies back together you will usually get phase interaction at certain frequencies, causing some frequency ranges to be boosted and others attenuated. To avoid this, you would need to use crossover filters that are designed to preserve the phase relationships between each of the bands. The UI of this plugin makes it look like each band is created with a single lowpass and highpass filter pair but that is not the case. In addition to the lowpass and highpass filters we also need several phase compensation filters. Although that could be done with an ordinary EQ plugin it would be quite complicated to configure and test to ensure that no unwanted phase cancellation occurs. WHAT FILTERS DOES THIS APP USE? They are second-order Linkwitz-Riley IIR crossover filters. We use IIR filters to so that when you use many of our plugins in series for real-time performance you don't add audible latency to the signal. ABOUT THE BEAT COMMUNITY We designed this app in collaboration with mr. Ali Ahmet who manages the Beat Community group on facebook. The beat community is a forum for discussion of topics related to mobile music production. It often features special promotions and app give-aways and it's curated so that the forum stays on topic and doesn't get spammed with advertisements. Beat community facebook group: https://www.facebook.com/groups/1504577553125121/