Schroeder AUv3 Reverb vs EverSpace

Seven reverb spaces, from the 1962 Schroeder algorithm to spring, plate and hall engines. Three knobs, freeze, tempo-synced pre-delay. AUv3 and Standalone. Schroeder is a reverb reduced to what matters: pick a space, set three knobs, play. It is named after Manfred Schroeder, who described the first digital reverb algorithm in 1962, and that algorithm is the first space on the dial. SEVEN SPACES • Schroeder: the classic 1962 design, four comb filters and two allpasses per side, with the sound of Schroeder 2.x. • Spring: three dispersive delay loops with saturation and a gentle wobble. • Booth, Room and Stage: plate reverbs on the Dattorro topology, from tight to wide. • Hall and Cathedral: an 8-line feedback delay network for long, smooth tails. Wet level is matched across all spaces, and switching crossfades the tail so there are no clicks. FOUR VARIATIONS Normal, Dark, Bright and Chorale reshape every space. Dark shortens the high-frequency decay, Bright extends it, and Chorale adds a three-voice ensemble chorus to the wet path. The dry signal is never touched. THREE CONTROLS • Mix: equal-power dry/wet blend, with a reverb bypass button on the MIX pill. • Pre-Delay: 0 to 250 ms, or tempo-synced from 1/64 to 1/2 with dotted and triplet values. • Decay: 50 % is the space's natural time, higher settings stretch the tail up to 3x, and 100 % freezes it while the input stays open. The Schroeder space keeps its 2.x seconds dial, up to 60 s. AMBER LCD The space and variation selectors sit on an amber dot-matrix display with a real-time spectrum analyser for each channel. Selectors and knobs respond to swipes and scroll gestures. SURROUND READY Mono, stereo, 5.1, 7.1 and 7.1.2 spatial audio layouts, with the spectrum displays fed from every channel. SCHROEDER 2.X SESSIONS Projects saved with Schroeder 1.x or 2.x load as before: mix and decay are mapped onto the new engine automatically. AUV3 + STANDALONE Run it standalone or load it in GarageBand, Logic Pro for iPad, AUM, Cubasis and any AUv3 host. The window is resizable and the whole interface scales.

EverSpace is an algorithmic reverb designed for creating enormous spaces, evolving ambience and richly modulated echoes. Built upon the CloudSeed engine by Ghost Note Audio, its architecture draws inspiration from the algorithmic studio reverbs of the 1980s, where networks of delays and diffusion were used to create spaces that extended far beyond the limits of the physical world. Rather than attempting to recreate a particular room, hall or vintage hardware unit, EverSpace embraces the more creative possibilities of algorithmic reverb. Dense diffusion, multiple delay stages and extensive modulation allow sounds to bloom into vast, constantly moving environments — from spacious reflections and drifting echoes to seemingly endless atmospheric tails. At more extreme settings, EverSpace becomes much more than a conventional reverb. Simple sounds can be transformed into thick evolving pads, shimmering textures and expansive ambient soundscapes, with subtle variations within the reverb network ensuring that the resulting space remains alive and in motion. EverSpace can be used as a traditional send or insert effect, but it is at its best when treated as a creative sound-design tool where the reverb itself becomes part of the sound. Features ○ CloudSeed algorithmic reverb engine — a sophisticated multi-stage architecture inspired by classic algorithmic studio reverbs. ○ Early reflection and diffusion network — control density, delay, modulation and feedback to shape the initial character of the space. ○ Extensive late-reverb section — create everything from diffuse ambience to enormous, slowly evolving reverb tails. ○ Deep modulation — independently shape the movement of diffusion and delay stages for lush, animated spaces. ○ Multi-tap delay stage — adds rhythmic reflections, echoes and additional complexity before the main reverb network. ○ Integrated equalisation — low and high frequency shaping plus filtering to sculpt the colour and decay of the reverb. ○ Seed controls — regenerate the internal delay and diffusion structures to produce different variations from the same settings. ○ Interpolation modes — alter the behaviour and character of the internal delay network. ○ Real-time visualisation — waveform and frequency displays provide visual feedback as sounds enter and evolve through EverSpace.