BLEASS Saturator vs Takebase

BLEASS Saturator is a creative saturation and distortion toolbox that lets you stamp your authority all over your audio. Roast your basses, crush your drums, and make your leads explode from a mix, all from the relaxing comfort of the plugin’s colourful and intuitive interface. The Drive module introduces analogue-style overdrive into your signal, from a gentle warming all the way to a veritable roasting. The module’s built in EQ allows precise control over the tonal character of the saturation as well. The Waveshaper distorts your audio using a second waveform. The way this happens depends upon the waveshaping algorithm that is used – BLEASS Saturator has nine to choose from. The algorithm has a significant impact on the character of the distortion that is produced. With its clear visualisation, and detailed-but-intuitive control over key parameters of the waveshaping algorithms, the Waveshaper module offers a near infinite choice of sonic colourations and distortions. BLEASS Saturator’s Bit module simulates the distortion characteristics of analogue-to-digital conversion. We’re all familiar with the pristine sound quality that is produced when both sample rate and bit depth are suitably high, but dragging these values down can create wonderful glitches and distortions that are fundamentally digital in character. Further creative possibilities are presented by the option of applying the Bit module either before or after the Waveshaper module. The built-in LFO can be routed to any of the plugin’s parameters, and can be synced to the host’s beat and tempo. This allows you to explore evolving, shifting and rhythmic distortions that would be hard to achieve with conventional saturators. Gentle settings can create pleasingly warm and fuzzy results, but despite its small footprint and lightweight CPU usage, BLEASS Saturator has the strength to hit your audio like a ton of bricks!

Takebase is where a band works on a track together. Record it, listen to it, mark the bits that need work, and stack the next take on top. It lands on the track it belongs to instead of the bottom of a chat thread. RECORD Record straight into the app, from an album or from the track you are adding to. Play to a metronome if you want one: set the tempo with the arrows, by dragging the number, or by tapping it in time, and count in a bar, two or three at that tempo. The waveform flashes on every click and a bar under it shows the beat. The check keeps it, the bin throws it away, and nothing uploads until you keep it. Recorded somewhere else? Share it in from Voice Memos, Files, or anywhere with a share sheet. m4a, mp3, wav and aiff all work. LISTEN AND COMMENT Play a take on a waveform you can scrub. Double tap the timeline to leave a comment at 1:23, and everyone else sees it pinned there. Reply, or tick it off when it is done. A comment belongs to the take it was left on, so it never slides onto a new mix of a different length and points at the wrong bar. When a comment or a new take lands, the band gets a notification. PRACTISE Press and hold the waveform and drag to loop a section. Move the handles while it plays; the loop turns round without a gap or a click. Drag a playing take and the sound follows your finger, so you can find the bar by ear. Add a click to a take and Takebase finds the beats in the recording itself, so it stays with the band through a tempo that drifts. The beats are drawn on the waveform, and one tap fixes a wrong grid. TAKES Takes stack newest first, each carrying the date it was actually recorded. Switch between them in the player and compare without leaving the track. Rename a take, sort them, choose the one the track plays, or move it to another track or out into a track of its own. YOUR LIBRARY Albums hold tracks. Tracks hold takes. No folder tree, no session layer. A wall of covers or a list, dragged into the order you want, searchable, and every row says how many takes it has and how long they run. Mark a track or a take with a colour to find it again. Everybody in the album sees it. WORKING TOGETHER A share link opens the album in Takebase for anyone who has the app, and offers the app to anyone who does not. Tapping it joins that person to the album. No roles to hand out: everybody in an album can add takes and leave comments. A link lasts a day. Adding people is always free. The limit is on audio, never on people. LISTENING A take is kept on your device after the first play, so a track keeps playing where the signal does not. Playback carries on from the lock screen and over AirPlay. Whatever you send is converted to 192 kbps AAC, and that copy is what Takebase streams. WHAT IT COSTS Free up to 30 minutes of stored audio. Takebase Pro raises that to 15 hours, delete a take and its minutes come back. Going over the free limit pauses uploads and playback until you make room or subscribe. Nothing is deleted. PRIVACY No ads. No tracking. Nothing sold. Your recordings are private to the album they sit in and the links you choose to send. SUBSCRIPTION Takebase Pro Monthly: EUR 9.99 per month Takebase Pro Yearly: EUR 69.99 per year Prices vary by region; the app shows yours before you confirm. Where a free trial is offered, the app shows its length and the price that follows; payment is taken when the trial ends, and a trial is offered once per Apple ID. Payment is charged to your Apple Account at confirmation of purchase. A subscription renews automatically unless auto-renew is turned off at least 24 hours before the current period ends, and your account is charged for the renewal within 24 hours of that. Manage or cancel a subscription in your Apple Account settings. Terms of Use (EULA): https://www.apple.com/legal/internet-services/itunes/dev/stdeula/ Privacy Policy: https://takebase.teemusk.com/privacy Terms of Service: https://takebase.teemusk.com/terms