Alien vs StrigoiLens Vampire Hunter

READ BEFORE DOWNLOADING: Please expand this description and read the full list of supported devices below to confirm that your device is supported. When she left Earth, Ellen Ripley promised her daughter she would return home to celebrate her 11th birthday. She never made it. Fifteen years later, Amanda Ripley learns that the flight recorder from her mother’s ship has been recovered. Amanda enters Sevastopol space station to finally solve the mystery of her mother’s disappearance, only to confront an unknown menace. Engage in a terrifying quest for survival as you navigate the labyrinthine Sevastopol station. Unprepared and underequipped, you will need all your wits and daring to get out alive. TWO MISSIONS FREE Play missions 1 and 2 for free, then unlock the complete game and all DLC via a single in-app purchase. A SURVIVAL HORROR MASTERPIECE The stunning AAA visuals, arresting narrative and terrifying atmosphere of Creative Assembly’s classic – faithfully replicated on mobile. This is the complete survival horror experience brought to mobile without compromise. TAILORED FOR MOBILE Run, hide and survive using a redesigned interface, offering total touchscreen control and full customisation options. Resize and reposition on-screen buttons and joysticks, or play with a gamepad or any iPadOS-compatible mouse & keyboard. INSPIRED BY THE 1979 FILM ‘ALIEN’ A game that returns to the roots of Ridley Scott’s sci-fi horror masterpiece, using its atmosphere, art direction and production values to deliver the same terrifying thrills. IMPROVISE AND SURVIVE Explore Sevastopol station and scavenge for hidden resources, crafting items and tech to improvise weapons and deterrents against the ultimate threat. ADAPT TO THE ALIEN’S MOVES To evade the Alien as it hunts you down, make calculated moves and use your environment, from crawling through ventilation ducts to hiding in the shadows. THE COMPLETE COLLECTION Buy the full game with all seven DLCs included, such as ‘Last Survivor’ — a recreation of Ellen Ripley’s final mission on board the Nostromo. === Alien: Isolation requires iOS 16.5 or later and 11GB of storage. For installation we recommend having at least 22GB of free space. Supported iPhones: • iPhone 8 Plus • iPhone X and later • iPhone SE 2 (2020) and later Supported iPads: • iPad mini 5 (2019) and later • iPad Air 3 (2019) and later • iPad 7 (2019) and later • iPad Pro 1st gen (2015), 12.9" model only • iPad Pro 2nd gen (2017) and later • If you require assistance, please contact our support team at support@feralinteractive.com © 2024 20th Century Studios. Alien: Isolation game software, excluding 20th Century Studios elements © SEGA. Originally developed by The Creative Assembly Limited. Creative Assembly and the Creative Assembly logo are either registered trademarks or trademarks of The Creative Assembly Limited. SEGA and the SEGA logo are either registered trademarks or trademarks of SEGA Corporation. Developed for and published on iOS by Feral Interactive. iOS and the iOS logo are trademarks of Apple Inc., registered in the U.S. and other countries. Feral and the Feral logo are trademarks of Feral Interactive Ltd. All other trademarks, logos and copyrights are property of their respective owners. All rights reserved.

YOUR PHONE IS THE LENS. Point it into a dark room and the Strigoi Lens turns the camera, the compass, the light sensor and the step counter into a hunting kit. It reads the room you are actually standing in. It will not work in a lit one, and it tells you so. WALKING IS WHAT BRINGS THEM Steps in the dark are counted off the phone's own motion sensor. Twenty paces for the first, twenty more for each one after. Stand still under the lights and nothing comes, because nothing should. TWO WEAPONS, AND ONLY ONE ENDS IT Holy water reaches any distance. It burns, the thing screams and stops where it stands, and for five seconds it is open — a stake into that window goes twice as deep. The flask holds three throws, and holy water can never finish one. The stake is arm's length only. At some point you have to let it come all the way in. EIGHT NIGHTS, EIGHT THINGS Bats first. Then a thrall walking somebody else's errand, a newly risen fledgling, a moroi out of the wet earth, a strigoi in black velvet, a nosferatu that moves in bursts between the shadows, an elder who has kept the same house for four hundred years. Then the Count, who does not die when his blood runs out. He tears the wings out of his own back and comes at you again, and that is the fight that counts. Each is a different body with its own walk, its own scream under holy water, its own way of taking a stake, and its own death — in its own voice. THE CASE LOG Every kill writes a page: who it was before it was turned, the village, the year, what turned it, what it wanted, and what it said at the end. Every escape writes one too, and letting one go costs you. PRIVATE BY DESIGN Camera, motion, compass, light, microphone and torch, all of it on the device. Nothing is uploaded. No account, no sign-in, no tracking. BEST PLAYED In the dark, with headphones, alone, in a house you know. Not while driving, not near stairs, not anywhere you would not walk with your eyes half on a screen. It is a game. The vampires are not real. The dark is.