OtherDesertCities vs SpaceFields

Other Desert Cities is a multi-mode delay plugin built for sound designers, producers, and anyone who thinks regular delays are getting a little boring. Named after the famous sign on the I-10 leaving Los Angeles, Other Desert Cities takes you down less-traveled roads. Six algorithms, each with its own distinct personality. A full suite of modulation. A diffuser that smears feedback toward reverb. And gain-structure controls deep enough to duck, pan, and route almost anything. ALGORITHMS Desert Shores — a clean dual stereo delay with saturation, filtering, spread, and crossfeed. Mecca — a reverse delay with smooth crossfading and an optional Reflect mode that alternates playback direction on each repeat. Cactus — a dual-delta delay. Each side runs as a variable-speed looper, playing forward or backward at any speed from zero to 2x, with pitch quantized to octaves, fifths, or semitones. Thermal — a multi-tap delay with up to sixteen equally-spaced taps per side, each with its own level. Mirage — a variable-speed multi-head delay inspired by the 1967 Eltro Information Rate Changer. One to four rotating heads play through a circular buffer at any speed from -2 to +2. Sky Valley — a granular delay with independent control over grain size, scatter, and pitch randomization. Transpose from three octaves down to one octave up. MODULATION Two tempo-syncable LFOs with variable shape and skew, plus an envelope follower with sidechain input. Almost every parameter in the plugin can be modulated. Click any knob and assign modulation depth from each of the three sources independently. DIFFUSER A diffusion processor sits inside the feedback path, with controls for size, diffusion amount, modulation rate and depth, and a dedicated low-cut filter. At high settings it takes the delay into reverb territory, especially paired with the Thermal algorithm. LEVELS Full input/output gain control, stereo width, independent delay pan, regeneration balance, and wet balance. Input level and mute sit before the delay block, so the plugin works correctly as both an insert and a send, with proper tails behavior. PRESETS Factory presets from Chris Randall, Matthew Lyon, Red Means Recording, and Time Rival, plus a cross-platform XML-based preset manager with import, export, and clipboard paste. FEATURES Six distinct delay algorithms Two LFOs and an envelope follower with sidechain Diffuser with independent modulation Tempo sync on delay times and LFO rates Delay times up to two seconds free, ten seconds synced Cross-platform XML preset format AUv3 and standalone Also available for macOS, Windows, and Linux in VST3, AU, AAX, and CLAP formats from Audio Damage.

Loop-based mangler effect to create slowly changing rhythmic sound structures in deep reverb space from any external sources or samples. Great for experimenting and designing ambient and noise backgrounds with rhythmic elements. The principle of the application is quite simple. It is based on a loop recorder with two loops. When one loop is recorded, the second is played back. When the loop recording stops, there is a smooth transition between them. Three separate outputs can playback the recorded loop with different pitches (speeds), each with its own effects and two automation generators. The mix of these outputs is fed to the convolution reverb. The reverb is packed with a set of long and deep sound spaces that create a blurry and ambient sound. But the main feature of this application is its well designed parameters that make it easy to experiment with a huge number of sound options using any source material from live instruments to synthesized sound. With just two parameters you can add complex rhythmic structures based on Euclidean rhythms, and easy-to-use automation generators with a randomize option to add variations to the sound, allowing you to modify parameters like an LFO or based on a given rhythm. The convolution reverb has advanced options with which you can change and extend the original reverb spaces. Even using the randomization options, in almost every case, you will get interesting and various soundscapes and textures. With these options it is very easy to create the basis for new unique presets. It only takes a little tweaking of some parameters to get impressive results. The loop recorder can be started and stopped manually or by input signal, can use fixed length or overwrite the loop while recording, and has the option for crossfade between the end and the beginning of the loop. All this makes it convenient for live use as well as when processing recorded material. As an extended option, you can use a special mode in which the application works as a direct effect, without the loop recorder. The special mode sampler is designed for quickly load samples and easy control of the application when used it live. This panel contains the input and output controls, essential controls of the loop recorder, and a large area with a recording counter, which is also used to start/stop the recorder. You can assign up to nine samples for fast loading into the loop, as well as save a recorded loop as a sample and to an external file. SpaceFields is a universal application for iOS and macOS. It can work on iPhone and iPad as well as Mac / MacBook with M1 chip (and later). SpaceFields works on iPhone and iPad standalone, as an Audio Unit or Inter-App Audio module, with supports Audiobus host app. On MacOS, SpaceFields can works both as a standalone application and as an Audio unit (AUv3) with DAWs and other hosts that support AUv3 plugins. All application features are available on iOS and macOS, including MIDI support (with a MIDI learn option), audio unit parameters and importing samples from any directory on device. SpaceFields has a built-in detailed description of all parameters also available as PDF file on the application site. Demos and previews: https://www.youtube.com/watch?v=cL1Dis3u0AQ https://www.youtube.com/watch?v=TpkWkc5I0uE https://www.youtube.com/watch?v=74LyfDM2dQM You can find more information on SpaceFields and other creative audio apps at: https://motion-soundscape.blogspot.com