BLEASS Dragonfly vs Replicant 3

BLEASS Dragonfly is a completely new approach to tremolo effect which brings new sonic possibilities to all music producers. Make your synths, voices or any melody “vibrate” in correspondence with its own frequencies, or with external basses and leads! Just like in Billie Eilish’s song “Xanny”, Dragonfly helps you achieve the same effect as when the voice gets modulated by a heavy bass. BLEASS Dragonfly automatically syncs the tremolo effect applied on a track using various triggers: First, you can use the pitch tracking module on either the input audio track (“self mode”) or a sidechained audio track (“sidechain mode”). You also can use the midi input to trigger Dragonfly with accuracy: the tremolo will automatically sync with the notes’ frequencies. Finally, a manual mode allows you to set a fixed frequency. Then you can finetune your settings by adjusting the fine, factor, smoothness, stereo, attack & release. The “Wild” mode applies a waveshaper to the signal to produce a subtle saturation. The final tremolo effect rate is mirrored by the flapping wings of the Dragonfly. BLEASS Dragonfly is also available for Mac & Windows (AU / VST3) https://www.bleass.com/dragonfly/ ________________________________________________ Technical description: SOURCE stage: - MANUAL: Tremolo rate is set by the Rate knob. Tremolo amplitude is set by the Amplitude knob. - MIDI: Tremolo rate corresponds to the rate of the lowest MIDI note received by the plugin. Tremolo amplitude corresponds to the velocity value of this note. - SELF: Pitch tracking on the input signal gives the tremolo rate. Tremolo amplitude matches the input signal’s amplitude. - SIDECHAIN: Pitch tracking on the sidechain signal gives the tremolo rate. Tremolo amplitude matches the sidechain signal’s amplitude. - SOURCE CHANNEL: Sets the channel to be analysed for SELF and SIDECHAIN modes. - AMPLITUDE: Sets tremolo amplitude in MANUAL mode. - GAIN: Sets the input gain in MIDI, SELF and SIDECHAIN modes. DRAGONFLY stage: - RATE: Sets tremolo rate in MANUAL mode. - FINE: Offsets the detected pitch value by +/- 0.5 semitone in MIDI, SELF and SIDECHAIN mode. - FACTOR: Detected or set rate is multiplied by this factor to give the final tremolo rate. - SMOOTH: Sets the smoothing duration of rate variations. - STEREO: Sets phase difference between left and right channels. - ATTACK: Attack duration of the effect. - RELEASE: Release duration of the effect. - MODE: SIMPLE is a basic tremolo. WILD uses complex waveshaping for warm and saturated effect. - WILDNESS: Sets waveshaping strength in WILD mode. - VISUALISATION: Dragonfly wings are animated to match the rate and amplitude of the effect. Green label on the left indicates the input MIDI note and rate. Blue label on the right indicates the applied MIDI note and Rate. MIX stage: - GAIN: Output gain of the effect. - DRY/WET: Dry/wet balance. NOTE: This is an AUv3 effect which needs a compatible host that ideally offers audio sidechain or MIDI FX routing (such as AUM, Cubasis 3 or Logic)

Replicant 3 is a real-time audio slicing and mangling effect, the third generation of the plugin that started the genre in 2007. Feed it any audio and Replicant's sequencer captures, loops, reverses, and re-slices it on the fly, layering in delay, filtering, panning, ring modulation, and bit-crushing to turn predictable tracks into something unpredictable. Version 3 is a ground-up rebuild with an all-new sequencer engine, expanded effects, and a redesigned interface that makes programming complex slice patterns fast and intuitive. SEQUENCER ENGINE Program 3 to 16 steps per measure with multiple step-size modes, from dotted notes through nontuplets. Build rhythmic patterns that go well beyond straight time. Per-step probability, direction (forward or reverse), and effect routing let you create patterns that evolve and surprise. FOUR SLICE EFFECTS The original Stutter capture-and-repeat is joined by three new modes. Delay adds rhythmic echoes to sliced audio. Redukt applies bit-crushing and sample-rate reduction for lo-fi destruction. Ring Mod adds metallic, inharmonic tonal coloring to any slice event. ENVELOPE CROSSFADING Smooth transitions or hard-gated rhythmic chops on every slice event. Control the attack and release shape of each captured buffer for precise dynamic control. MANUAL AND MIDI TRIGGER Bypass the sequencer entirely and fire slices on demand. Manual trigger mode works with touchscreens for live performance. MIDI trigger lets you drive Replicant from a controller, keyboard, or DAW automation. REDESIGNED INTERFACE A visual step sequencer puts your entire pattern on screen at once. Edit steps, assign effects, set probabilities, and adjust parameters without menu-diving. CROSS-PLATFORM PRESETS XML-based preset manager with presets compatible across all Audio Damage plugin formats and operating systems. SOUND DESIGN IDEAS Sequence stuttering vocal chops with per-step filter sweeps. Build glitched-out drum fills by randomizing slice direction and bit-crushing depth. Layer ring modulation on sustained pads for metallic, evolving textures. Use MIDI trigger mode to fire slices manually in a live set. Program polyrhythmic slice patterns with odd step counts against 4/4 time. Run full mixes through Replicant on a bus for controlled chaos breakdowns. AUv3 compatible. Runs standalone or hosted in AUM, ApeMatrix, Audiobus, Cubasis, GarageBand, and other AUv3 hosts on iOS 11 or newer. From Audio Damage, making creative software for discerning musicians since 2002.