Analog Stone vs Sightlines

Analog Stone is a focused AUv3 recreation of a legendary 1979 four-stage analog phaser. It brings the character and simplicity of the original pedal to iOS, powered by the same analog modeling engine as RealPhase. Where RealPhase takes the rackmount approach with its 50+ parameters (which can be more than some users need), Analog Stone does one thing beautifully: delivering that iconic, sweeping, psychedelic color with the raw immediacy of physical hardware. The plugin includes an add-on circuit that reduces the harshness and other non-musical artifacts that can emerge at high modulation rates (in free-running mode only). This makes the effect useful even in experimental settings such as glitch effects, with more possibilities to explore when modulating the rate parameter either manually or via external means. PLEASE NOTE: • An AUv3-compatible host is required to use this app • Supported sampling rates: 44.1, 48, 96 kHz • Host tracks must be at least CD-quality (44.1 kHz). Note that some virtual instruments, such as GarageBand’s Smart Instruments, operate downsampled at 22.05 kHz and are unsupported

Make noise, texture, and percussion sing. Add motion and stereo spread to basic sounds. Load samples and sculpt them endlessly. Leave your mark on any sound with harmonic filtering. Sightlines is a playable harmonic filter. Built from a collection of resonant bandpass filters tuned to the harmonic series, designed to bring out a customizable set of musical frequencies in any sound. Tune it to a fixed frequency like a resonator, or send it MIDI to make it come alive as an instrument. Sightlines can be loaded as an instrument or an audio effect. As an instrument, use it with samples, noise, or oscillators to construct sounds never heard before. As an effect, add movement and interest to any sound, and even impart tonality onto unpitched input. SOUND SOURCES • Noise – filter variable color noise and random noise bursts for Sightlines’ simplest and quickest output. • Samples – send samples through resonant filters as one-shots or infinite looping versions of themselves, great for found sound and tonal samples alike. • Synth – skip the filters entirely and use Sightlines as a harmonic synth, where you can customize and modulate the proportion of each harmonic in the signal. • Audio effect – use Sightlines as an audio effect on any track. MOVEMENT AND EFFECTS • Manipulate overtones – stretch, bend, and reimagine the harmonic series to retune Sightlines’ output into realistic or indescribable sonic spaces. • Quantize frequencies – snap all of Sightlines’ filters to a scale, to impart that key quality onto any sound. • Balance bands – maneuver through the harmonic space by scanning, tilting, or spreading Sightlines’ bands. • End of chain – make your output shine with a built-in chorus, BBD-style delay, and reverb. FEATURES • Modulation – modify any control in Sightlines with multiple LFOs, sequencers, smooth random sources, and performance effects. • Presets – full preset control over every parameter in Sightlines. Cross-platform preset format for sharing with friends. • Waymaker – connect to Sightlines’ sibling application, Waymaker, for direct sequencing of Sightlines’ without MIDI routing. Also available for macOS and Windows in VST3 / AU / AAX formats from Aqeel Aadam Sound.