BLEASS Megalit vs FabFilter Twin 3

With its blend of wavetable and classic subtractive oscillators, flexible filtering and post-processing, and an extensive set of advanced modulation sources, BLEASS Megalit provides sound designers with a vast palette of timbral tints, shades, and colours to explore. Thanks to BLEASS' super-intuitive interface design, that entire sonic palette is within easy reach of even the most non-technical musicians. Megalit includes many innovations that will empower your sound designs: * Advanced wavetable oscillators with independent wavetable position and Fold controls across more than 130 wavetables. * Per-oscillator Unison mode for creating rich, layered sounds without loading additional synth instances. * Dedicated noise generator with high-pass and low-pass filters for flexible non-tonal sounds and sound components. * Resonant high-pass and low-pass filters, plus built-in Waveshaper and Bit Crusher processors for powerful sound shaping. * Four LFOs with independent timing curves and output smoothing for highly detailed modulation. * Advanced Motion Sequencer for creating complex repeating modulation patterns. * Per-patch performance controller response curves for expressive and predictable playability. * Built-in preset randomizer that generates inspiring, usable sounds at the touch of a button. * Built-in multiband upward/downward compressor for precise control over dynamics, punch, and presence. All of Megalit's parameters, settings, and controls are presented with intuitive visual feedback, so you always know exactly what the synth is doing. Despite its immense sonic capabilities, Megalit remains exceptionally CPU-efficient, leaving plenty of headroom for additional instruments, effects, or simply more instances of Megalit. BLEASS Megalit is available as an AUv3 plug-in or standalone app. Also available for Windows and Mac. More information: https://www.bleass.com/megalit

Since its first release in 2005, FabFilter Twin has been famous for its filter quality and oscillator sound. FabFilter Twin 3 expands and improves on its predecessors in every area, including a complete redesign of the GUI and workflow, more and better oscillators and filters, a radically powered-up modulation system, an all-new FX section, and much more. Sonically versatile, supremely intuitive, and spectacularly ‘analog’, Twin 3 is a dream instrument for creating synth sounds of all kinds, from basses, leads, and pads to plucks, drums, effects, and beyond. The Twin 3 app lets you play via the on-screen keyboard or a MIDI keyboard connected to your iPad. To use Twin 3 as a plug-in, you need an AUv3-compatible host app like Auria, AUM or Cubasis. Twin 3 will appear in the list of Audio Unit extensions for instrument plug-ins in the host app. Key features: - Virtual analog synth featuring four flexible oscillators, four filters, six FX modules, and a vast modulation system with a wealth of flexible source signal generators, drag and drop source/target routing, and no limit to the number of modulation assignments that can be made - Fully redesigned, greatly simplified interface with easier workflow - Completely overhauled modulation system with redesigned modulation sources, and floating slot and FX panels - All-new FX section, housing Reverb, Delay, Chorus, Phaser, Drive, and Compressor modules - MPE support for expressive, per-note modulation - Arpeggiator with Groove/Legato controls, note order, latch options, and more - Full-featured preset browser, with tags, favorites, and search and filter functions, and new factory preset library - Per Oscillator polyphony mode: each incoming note triggers a different oscillator - Bell, Shelf, and Notch vintage-style EQ filter shapes - 6dB/octave filter slope option - Modulatable filter Cutoff/Peak Offset knobs knobs, for adjusting all filters at once - High Quality mode — 4x oversampling - Transient mode turns Envelope Followers into transient detectors - Curve adjustment handles for EG Attack, Decay, and Release stages - Slider mode (vertical-only operation) and Range setting (toggles between bipolar and unipolar behavior) for XY controllers - Hide all modulation sources except for XY controllers and Sliders at a click - Native sustain pedal support - Even better oscillator and filter sound quality, with analog-modelled drift - Maximum number of voices doubled from 32 to 64 - Lower minimum Envelope Generator Attack, Decay, and Release times - Maximum number of XY controllers/Sliders increased to six - Envelope Generator Threshold, XLFO Balance, and Frequency Offset made available as modulation targets - Modulation sources can be renamed - Maximum number of modulation slots increased to 100 - Legato mode for MIDI-triggered XLFO - Range options added to MIDI Sources: Negative (-1 to 0), Centered (-1 to 1), and Positive (0 to 1) - Carefully designed and curated factory presets, plus the ability to save your own presets - Undo/redo and A/B comparison "FabFilter Twin is one of the best virtual analogues we've heard so far, and at this price point it's well worth the investment!" — Computer Music "Once I found FabFilter Twin, I immediately noticed how great it works and how amazing it sounds!" — George Morel