Transient Shaper vs Mid

Blue Mangoo Transient Shaper is a high-quality transient designer effect. The key feature is the simplicity of the controls. The plugin's adaptive filters respond automatically to a wide range of inputs, giving you an extreme level of control over the intensity of transient sounds without the need to adjust complicated settings. The unique filters in the attack envelope allow the attack intensity to be reduced much farther than other transient plugins, to the point of totally silencing the note attack, if desired. EXPLANATION FOR READERS WHO HAVEN'T USED A TRANSIENT SHAPER BEFORE A transient shaper allows you to adjust the speed or intensity of note attacks, making them crispier and snappier, or softening them and reducing harsh click sounds. This is useful if you want to make a snare drum cut through the mix (increase attack) or to soften pick noise on a guitar (reduce attack). Additionally, it allows you to adjust the volume of the sustain (or release) part of a note, leaving the attack part mostly untouched. This is useful if you want to reduce room reverberation sound on drums, making them sound tighter. Usually what we call the "sustain" control actually adjusts the volume of all parts of the sound except for the attack, so in many cases it functions more like a release control than a sustain control, if we compare it to the controls with those names in an ADSR (Attack, Delay, Sustain, Release) envelope control on a synthesizer. WHAT UNIQUE THINGS DOES IT DO? - Adaptive filters handle wide variety of signals automatically without user input - Adaptive filters allow the attack adjustment to respond faster, allowing you to silence even the extreme earliest part of the note Note: except for the unusual ability to totally silence the attack, this plugin does basically the same thing that other transient plugins do. If you already have a transient shaper and you are happy with the way it sounds, this one will sound similar. So the only reasons to buy this are: - You don't have a transient shaper yet - You don't have the Blue Mangoo attack softener plugin yet - You do have a transient shaper but you would like one with simpler controls - You love collecting plugins

Ever wonder what lies between the L/R and M/S representations? Mid-Side Continuum extends the definition of mid-side encoding to create a smooth, continuous interval allowing in-between values and gradual changes. Channel mode switches can now be turned into faders, opening up new modulation possibilities as well. The algorithm used by the plugin is a true extension of the mid-side encoder/decoder concept and doesn't involve any cross-fading or other artificial constructs. The plugin can be used in two ways: • In standalone mode, as a width-preserving panning effect, or a special modulation effect for spatially balanced sounds • In paired mode, allowing other effects to operate anywhere between L/R and M/S modes, with modulation options available FEATURES: • Provides a new kind of spatial modulation effect for stereo signals • Can be used as a panner that doesn't squash wide components (existing ambience, reverb, stereo FX), strongly panning narrow parts at the same time • A great companion for delays or delay-based effects: explore adding space or change the panoramic character without re-configuring delay taps • Turn any stereo effect or effects chain into a M/S one (or any graduation on the L/R - M/S curve), by sandwiching them between a pair of Mid-Side Continuum instances • Unlike panning, stereo panning, or binaural panning, Mid-Side Continuum preserves the exact geometry of the stereo field by using a lossless transform • Higher rates of change can be used to create additional kinds of effects (chorus, warble/flutter), depending on the width characteristics of the original input • A tempo sync capable LFO is available to add automatic modulation; the LFO phase can be offset to allow precise timing control and alignment THE PANNER FOR REVERB-RICH SOUNDS: Panning high-ambience and reverb-rich sounds need no longer result in squashed stereo images. The exact, full width of the stereo field is preserved when using Mid-Side Continuum as a panning tool. Unlike binaural panning, the overall stereo frequency response is kept maximally flat, thanks to the used algorithm's audio engineering-focused feature set. In fact, Mid-Side Continuum's algorithm is a lossless, completely reversible one (based on True Pan's technology). WRAP ANY EFFECT TO CHANGE / MODULATE THEIR STEREO MODE: Two Mid-Side Continuum instances can be conveniently linked in a way that the second one cancels out the transformation, restoring the original sound. Once linked, the second plugin will automatically re-align if parameters are changed in the first one, without missing a single sample. Between these two points, any number of audio effects can be inserted, all of which will receive the transformed signal instead of the original L/R one. This setup can be used in multiple ways: either to just turn any stereo plugin into a M/S one, or to modulate the stereo field of the wet signals (while keeping the dry signal intact) without the need for setting up additional routing, thus keeping tracks neatly self-contained. VERSATILE EXTENSION TO DELAY-BASED EFFECTS: • Alter stereo delay patterns or turn a mono multi-tap delay into a stereo one on the fly • Instead of having to choose from the two, explore any setting between L/R and M/S delay modes to select the best-fitting stereo response • Remove excessive L/R slappiness without losing any stereo width by spatially equalizing the delay output, filling in directions not populated by L/R taps • Improve the clarity of the mid channel / mono mix when combining panned delays with shorter notes or more rhythmic passages • Lessen any "clockwork-like" quality of panned delays that may be experienced with some instruments or passages • Change or fine-tune delay patterns that emerge in the mono mix when using stereo delays PLEASE NOTE: • An Audio Unit v3 compatible host app is required to use this plugin