JAX SR vs Ember

The manual is here : https://audio.digitster.com/wp-content/uploads/2024/05/JAX-SR-Phaser-Manual.pdf The JAX SR Series are AudioUnits (AUv3), which allow to select a frequency range for effect processing. This one provides a classic phaser modulation effect with optional direct MIDI control assignment to the parameters. If (especially) modulation effects are applied to the entire frequency range, this usually will introduce negative side effects. The JAX [SR] Series allow a selective frequency range and dynamic adjustment of the mix easily. More information can be found on the product website at: https://audio.digitster.com/ Please note, that AudioUnits (AUv3) require a supporting host application to perform. This build (like all our latest releases) is truly 'universal', meaning, the audio unit is available for: - MacOS (Apple Silicon) - iOS (all actual iPhones) - iPadOS (all actual iPads) - visionOS (Apple Vision Pro) Requirements: MacOS 10.15++ iOS 14.0++

Ember is a full drive chain in one pedal — not another single-circuit distortion. A gritty, tweed-flavored overdrive sits on the bottom, a filthy fuzz runs layered on top, and compression is built in. It's the stacked-amps sound that normally takes three pedals and an afternoon of gain-staging, dialed in with one knob. THREE VOICES WARM — distortion the way it was first discovered: a pushed vintage amp with sliced speaker cones. Raw, retro, and touch-sensitive. Roll BITE up and it tips into blown-speaker sizzle with a starved-supply quiver in the note. DRIVE — everything, more. A doubled, dual-amp crunch straight out of the 1980s. The sustain sings, sizzles, crackles, and rings — and stays articulate. Chords keep their edges; every note in a run stays clear. RAVAGE — unhinged. The amps are on fire and the ship is going down. Stomp BOOST and single notes bloom into screaming, feedback-laced sustain that hangs on for the better part of a minute. Pinch harmonics, smoldering solos, sixties-fuzz recklessness at modern gain. WHAT IT'S FOR • Recording guitar direct — a finished, layered drive tone with no amp, no mics, no reamping. • Replacing a drive + fuzz + compressor stack, and the hour spent making them agree. • Leads that hold: BOOST adds gain, presence, and a sustain compressor that carries the note for you. • Practice anywhere — standalone app, plug in and play. CONTROLS THAT MATTER • DRIVE — one knob from edge-of-breakup to inferno. The molten orb burns hotter as you push it — and as you play harder. • TONE — dark and thick to bright and cutting, with a speaker-style rolloff that keeps fizz out. • BITE — round and smooth to sharp and shredded. • BIAS — starve it for choked, dying-battery textures. • IN / OUT / MIX for gain staging and parallel blends, stereo or mono, click-free bypass. ON STAGE AND IN THE STUDIO • AUv3 for GarageBand, Logic Pro, AUM, and any Audio Unit host. • MIDI learn on everything — knobs, voices, BOOST, bypass, even program-change recall of specific presets. A MIDI footswitch runs the whole pedal hands-free. • Factory presets plus custom presets. One purchase. Mac, iPad, and iPhone.