MIDI Layers vs PanDualay

MIDI Layers is an AUv3 MIDI plugin designed to allow sophisticated routing of MIDI data in hosts such as AUM or Cubasis. Have you ever wanted to play multiple instruments from a single master keyboard during a live performance? Would you like to be able to set up keyboard splits, crossfade layers or create an ensemble of layered instruments? If you answered yes to either of those questions, then MIDI Layers may be your solution. Layers allows you to create up to 12 scenes, each with up to 127 layers, spanning your entire master keyboard. These scenes allow you to seamlessly switch between various layer mappings at any time during a performance. Each layer controls the MIDI output, which can be routed to one of MIDI Layers 16 output ports and 16 channels. So if you have 5 layers in your scene, each layer is able to divert MIDI key input to 5 destinations, allowing you to control 5 instruments from one master keyboard. Layers can overlap, meaning you can create an ensemble of two or more instruments. Layers can also have cross fades so that you can fade from one instrument to another across a specified range. You can also control the velocity curves of a layer if you need to emphasize note velocity at a certain set of octaves. Each layer can also be remapped so that you can target a different key range on the destination instrument. This allows you to have several single note layers that can target specific drum machine samples for instance. You can assign a song per scene, or have several scenes containing parts of the same song. Switching scenes is simple, using the on screen scene buttons, via AU parameters, or you can even add a special control layer to a scene which can then be triggered via your master keyboard. It is also possible to assign a Program Changes to a layer. When you switch scenes, each layer can fire off its own program change to your destination instruments. Each scene can be assigned its own scale, which enables you to play using only the white notes so say goodbye to wrong notes. Finally, layers can be assigned to mute groups, allowing you to quickly turn on/off groups of layers with a single key or button press. Features: ○ Up to 127 layers per scene. ○ 12 scenes per preset. ○ Supports 16 output ports and 16 channels. ○ Remote switching of scenes using MIDI or AU. ○ Supports layer mutes and mute groups. ○ Named scenes with large scene selection mode. ○ Supports scales per scene which can be played using white notes only. ○ Each layer can define a Program Change that is sent when scenes are switched. ○ Supports per layer velocity curve. ○ Supports per layer remapping of notes on output. ○ Each layer can have a cross fade settings assigned. ○ Definable Master Keyboard size (6, 7, 8 or 10 octave). ○ Scene and mute control layers. ○ Provides default custom layouts. Please Note: This product will not work with GarageBand since it cannot load AUv3 MIDI plugins.

PanDualay Stereo Panning Delay (AUv3) PanDualay is an audio effect plugin that can run standalone, or in any AU compatible host application such as Logic or GarageBand. Overview PanDualay is an analog-flavoured stereo delay wih a variable left / right delay time ratio. In addition to stereo modulation and a LPF, PanDualay has an independent auto-pan that's applied to the delayed repeats only, giving an additional sense of stereo movement. PanDualy works especially well on lead / mono synth type sounds and can get pretty spacey! Parameters Active - Toggles the effect On or Off. Note that when you set the effect to Off, you will still hear the delay repeats, but your input signal is no longer fed into the delay processing. This is a similar idea to the "trails" feature in many delay effects units and pedals. Delay - Sets the base delay time between 50ms and 2 seconds. Regen - Sets the regeneration or feedback of the delay repeats up to 100% "endless" repeats. Note that at high Regen levels, the sound will appear to degrade in quality and become "washed-out" or "murky". This is intentional, and an attempt to capture the sound of analog delays with limited fidelity. Compression and limiting are also applied internally to prevent excessive build-up, which can also result in a "crunchy" sound at extreme settings as the repeats are squashed each time they're layered on top of each other. Again, this tends to be a sonic characteristic of analog and tape-based delays. Ratio - Sets a delay time multiplier for the left / right channels between 1 and 2. For example, a base Delay time of 500ms and a ratio of 1.5 : 1, will result in the left channel being delayed by 750ms and the right channel by 500ms. Interesting effects can be achieved by using non-standard ratios. For example, 1.62 is approximately the Golden Ratio, and at high Regen values can produce an almost reverb-like sonic wash! Pan - Sets the frequency of the auto-pan LFO. Note for the effect to be more obvious, the Ratio should be set to something other than 1 : 1. Mod - Applies a variable amount of stereo modulation to the delayed sound. LPF - Sets the cutoff frequency of a lowpass filter applied to the delay repeats. Reduce the LPF control for a darker echo sound. Mix - Sets the level of the delayed signal. Please note the dry / input signal is always present. If the name sounds familiar, PanDualay is an improved version of the PANDUALAY module developed for Voltage Modular by Waverley Instruments. For more info and support please visit: www.waverley-instruments.com/robjackson