Echochops vs BLEASS Spectral Resonator

The extreme delay machine that you've never heard before. In short: This is a Karaoke echo machine. Words spoken in the iPhone's microphone will come back a few seconds later. It's like the echo effect you can hear at a mountain. You can get various kinds of effects by changing the delay time and the feedback rate. To make music: Tap on the table - it sounds like "tock"......"tock"....."tock"..... Clap your hands - you'll hear "tock", "clap", "tock", "clap", "tock", "clap"... You can produce simple musical patterns this way. Daily life use: Leave it as it is. It's fun to hear repeating sounds of ordinary life. You can use the stereo headset with the mic. Take a walk with the iPhone in your pocket and enjoy the repeating sounds around you. In detail: "Echochops" produces a feedback delay effect (an echo effect) on the sounds from the iPhone's microphone. The feedback delay is widely used to produce rich vocal and guitar sounds. It is also used as a special kind of musical performance. You can use "Echochops" not only as a "musical" application but also as a "noisy" experiment. Features: - Input and output level meter - Input and output level setting - Delay time setting, within 60 seconds. - Feedback rate setting, from 0% to 100% - Direct and Delay balance setting - Four types of audio filters (Lowpass, Highpass, Bandpass, Notch) - Audio filter frequency setting - Audio filer Q setting - Parameter control by audio input/output levels - Parameter control by tilting - Parameter control by rotating (a compass-equipped device only) - Mode setting to change delay time, "Glitch" or "Funny". - Output route setting, headphone/receiver or speaker. - Tilt angle setting for controlling - Upside-down portrait mode for efficient use of microphone and speaker - Delayed sound can be erased - Works with iPod audio simultaneously - Background audio playback (iOS 4.0 and later) [[ ATTENTIONS ]] Due to a latency of an audio input and output, the actual delaying time will be slightly longer than the setting. A natural feedback through the air may happen because the microphone and speaker are placed closely on the iPhone. Distorted sounds or harsh grating noises will be produced depending of the setting of parameters. It would be better NOT to use this application if you cannot stand noisy sounds. [[ Address of Gratitude ]] Thanks to Mr. Kaoru Sato (EP-4)

By converting audio into the spectral domain, BLEASS Spectral Resonator can shift, blur, filter, and restructure the frequency content of any sound before generating resonances. When blended with the source signal, this adds a controllable layer of pitch and timbre. Used fully wet, it produces rich and complex spectral textures. Resonances can be generated from an internal four-voice tone generator or directly from incoming MIDI notes. With up to eight voices of polyphony, glide, pitch bend, and up to 256 harmonics per voice, BLEASS Spectral Resonator can be played from MIDI to create tuned harmonic resonances and evolving spectral textures. Intuitive controls provide detailed manipulation of the resonator behaviour, including unison, detuning, harmonic stretching, density, damping, decay, and harmonic filtering. Harmonics can be restricted to even or odd series, while spectral shifting and blurring further reshape the resulting resonances. A spectral-domain filter lets you select the frequency range used to excite the resonators. The interactive 3D spectrogram visualises resonator activity over time while also providing direct control over the spectral filter. BLEASS Spectral Resonator also includes Freeze and Kill controls for holding or clearing active resonances. Designed to combine deep spectral processing with an accessible interface, it opens new possibilities for harmonic, rhythmic, and dynamic sound design, including inharmonic or atonal material such as drums. BLEASS Spectral Resonator is also available for Desktop. Find more information here: http://www.bleass.com/spectral-resonator