Echochops vs 055U4RY

The extreme delay machine that you've never heard before. In short: This is a Karaoke echo machine. Words spoken in the iPhone's microphone will come back a few seconds later. It's like the echo effect you can hear at a mountain. You can get various kinds of effects by changing the delay time and the feedback rate. To make music: Tap on the table - it sounds like "tock"......"tock"....."tock"..... Clap your hands - you'll hear "tock", "clap", "tock", "clap", "tock", "clap"... You can produce simple musical patterns this way. Daily life use: Leave it as it is. It's fun to hear repeating sounds of ordinary life. You can use the stereo headset with the mic. Take a walk with the iPhone in your pocket and enjoy the repeating sounds around you. In detail: "Echochops" produces a feedback delay effect (an echo effect) on the sounds from the iPhone's microphone. The feedback delay is widely used to produce rich vocal and guitar sounds. It is also used as a special kind of musical performance. You can use "Echochops" not only as a "musical" application but also as a "noisy" experiment. Features: - Input and output level meter - Input and output level setting - Delay time setting, within 60 seconds. - Feedback rate setting, from 0% to 100% - Direct and Delay balance setting - Four types of audio filters (Lowpass, Highpass, Bandpass, Notch) - Audio filter frequency setting - Audio filer Q setting - Parameter control by audio input/output levels - Parameter control by tilting - Parameter control by rotating (a compass-equipped device only) - Mode setting to change delay time, "Glitch" or "Funny". - Output route setting, headphone/receiver or speaker. - Tilt angle setting for controlling - Upside-down portrait mode for efficient use of microphone and speaker - Delayed sound can be erased - Works with iPod audio simultaneously - Background audio playback (iOS 4.0 and later) [[ ATTENTIONS ]] Due to a latency of an audio input and output, the actual delaying time will be slightly longer than the setting. A natural feedback through the air may happen because the microphone and speaker are placed closely on the iPhone. Distorted sounds or harsh grating noises will be produced depending of the setting of parameters. It would be better NOT to use this application if you cannot stand noisy sounds. [[ Address of Gratitude ]] Thanks to Mr. Kaoru Sato (EP-4)

055U4RY (say it: "ossuary") is an 8-voice polyphonic synthesizer sealed inside a haunted DOS terminal — and, since 1.30, a second plug-in that turns the same machine loose on any audio you feed it. A photographic ASCII skull is the front panel: its jaw hinges open with the amplitude envelope, its eye sockets ignite with the output level, and the whole interface tears, melts and reassembles itself while you play. THE VOICE - 15 synthesis engines: detuned saw/square/triangle unison stacks, sine and sub-oscillators one and two octaves down, two-operator FM, ring modulation and inharmonic partials. Every factory preset is a different engine. - Twin chaotic LFOs that cross-modulate each other's RATE, so pitch and filter drift never repeats. Held notes stay alive and slightly wrong. - A Shepard-Risset layer tuned beneath every note: five windowed partials in an endless downward glissando - the bottomless-pit illusion of classic horror scoring, fused into the oscillator core. - A 19 Hz infrasonic tremolo at the edge of perception. On headphones it is a shiver; on a big system it is pressure. THE CHAIN - State-variable filter, low-pass or band-pass per engine, with resonance that will scream - Sample-rate reducer and bit-depth crusher for terminal-grade lo-fi - Saturating drive stage - GLTCH: a real-time stutter buffer that seizes and re-loops your signal - CRYPT: a damped, pitch-black comb/allpass reverb - GLIDE: exponential portamento up to 1.5 seconds - DOOM: one macro that leans the chaos, the descent and the tremor deeper into the signal PERFORM - 14 knobs, all ASCII, every one audible on every preset - 15 factory presets with per-preset patch memory: your tweaks persist for each preset, and [RESET] restores the factory sound - Two-octave on-screen keyboard with octave transpose and note names - Hardware MIDI in (all sources auto-connect), built-in Bluetooth MIDI pairing, pitch bend, MIDI 2.0 aware - The skull is your meter: jaw = envelope, eyes = level, decay = how hard you push GLTCH 055U4RY FX - THE EFFECT The same app installs a second, separate plug-in. Put it on a drum loop, a guitar, a vocal or a whole mix and run it through the machine: - The full destruction chain as an insert - drive, bit crusher, sample-rate reducer, stutter, filter and the CRYPT reverb - in true stereo - HAUNT: a cross-fed delay whose repeats rot as they decay, with MURK controlling how fast they turn to mud - SYNC: stutters and echoes locked to your host's tempo, 1/16 through 1/1, or free-running - DOOM as an injector: the endless Risset descent and the 19 Hz tremor printed underneath your audio, so anything you feed it gains a bottomless falling drone that was never in the source - Fifteen presets sharing the instrument's names, each a different topology - Wet/dry MIX, output trim, and a skull that reacts to whatever passes through AUv3 + STANDALONE The synth runs standalone with zero setup. Both plug-ins install into your host: AUM, Logic Pro, GarageBand, apeMatrix, WBTRK and any AUv3-compatible DAW, with full parameter automation - "hejluxom: 055U4RY" under instruments, "hejluxom: 055U4RY FX" under effects. One purchase, every platform: iPhone, iPad and Mac. No accounts, no ads, no data collected - your patches never leave the device.