Beat Vibe vs iSimpleLoop

A programmable vibrating metronome/beat box with a flamenco clock display. The only metronome that lets you practice Subida (tempo change) and share rhythms online. Beat Vibe is both a vibrating metronome and a programable beat machine aimed at both the flamenco player and non flamenco musician. Beat Vibe is pre-programmed with over 50 rhythm patterns from all major palls such as Bulerias, Alegrias, Tangos and more, including non-flamenco rhythms like Samba, Bosa Nova, Rock, Raggae and many more. You can easily program your own rhythm patterns, share them online, and download from the many rhythm patterns other users have shared. The unique "Song Mode" lets you set a sequence of rhythm patterns to play, setting the number of repetitions and tempo. You can create rich percussion loops or practice change of tempo (subida)! Features: • Fully programmable, you can program rhythms of up to 16 beats, with precise off beat placement. • Play a sequence of patterns to create rich songs optionally changing tempo. • Online database with user generated rhythm patterns. • Multi-track. Play multiple sound samples. • Pre programed with over 50 rhythms including: Solea, Alegrias (several), Bulerias (several), Seguiriyas, Tangos, Fandangos, Bossa Nova, Rock, Blues, Mambo, Samba, Cha Cha, Country, Swing, Lambada, Raggae and more. • Rich percussion sound sample library. Over 50 drum kit and flamenco percussion sounds, sampled in stereo, including: Palmas, Cajon, Tapada, Step, Snare, Bass, Tom, Cymbal, Kick, Timbales, Cowbell, Castanets, Darbuka, Conga and more. • Volume and vibrate controls (vibrate available on iphone only). • Clock hand movement may be smooth or discrete (on beats only) • Add random jaleo calls for extra fun. • Select from several themes. Watch a video demo on tivstudio.com. Become a fan of Beat Vibe on Facebook.

iSimpleLoop is a pocket sketchpad for songs. Record a loop, stack takes over it, play the guitar, the keys and the pads on top, keep the lyrics in front of you — and take the result out as audio or MIDI. Everything runs on the device. No account, no subscription, no cloud, no internet connection. LOOPER • Up to 8 tracks. Looped tracks follow the master loop, linear ones run the whole length of the song. • The first take sets the loop length; an overdub stops itself after one lap. • Count-in, metronome, and a per-track input: microphone, the app's instruments, or both. • Latency compensation, so a take lands where you played it. INSTRUMENTS • Guitar: strum and pluck six strings with your fingers, chords of the chosen key, power chords, capo, four tones from nylon to overdrive. • Keys: a polyphonic synth with piano, e-piano, pad, bass and lead, sustain and an octave shift. • Pads: 16 pads, 62 built-in sounds, pitch, filter and decay knobs, reverse. • Sampling from the microphone straight onto a pad, plus import of WAV, MP3, M4A, AIFF and FLAC with a trim screen. ARRANGEMENT AND EDITING • The whole song on one timeline: bar ruler, waveforms, playhead, scrubbing. • Select a fragment and trim, cut, silence, fade, normalise, reverse or nudge it by a beat — or drag it onto another track. • Three-band EQ and pan on every track. EFFECTS • Inserts on each track: compressor, overdrive, chorus and flanger. • Two project-wide send buses: a tempo-synced delay and a reverb. • Live instruments sound with the effect but are recorded dry, so the decision stays reversible. LYRICS • The lyrics live in the project, split into sections, and can sit next to the guitar while you play. NOTE EDITOR • Piano roll for the keys, a drum grid for the pads and six-line tabs for the guitar. • Move, stretch, copy, quantize, change pitch, fret, string and velocity — the track rebuilds from the notes right away, so you hear the change in the mix. • Undo and redo; cancel brings the track back exactly as it was. SLICE • Chop a sample by hits, into equal parts or on the tempo grid, drag the markers, tap a slice to hear it. • Slices land on consecutive pads — optionally together with a notes track that plays them in the original order. CHORDS • Any chord on any of the eight buttons: major, minor, 7, maj7, m7, sus2, sus4, add9, 6, m6, dim, aug. • Playable shapes are found automatically; pick a variant or place your own fingers on the fretboard. HARDWARE • USB audio interfaces: choose the input and the channel to record; other sample rates are converted on the fly. • MIDI keyboards over USB and Bluetooth play the synth and record like the on-screen keys; channel 10 plays the pads. • Foot controllers: MIDI Learn for play, record and stop; keyboard-style page-turner pedals work out of the box. EXPORT • WAV 24-bit, M4A (AAC) and MIDI — a track per instrument, pads on channel 10. • A home screen widget records a sample straight into the library. Landscape on iPhone and iPad. Interface in English, Russian, German and Italian.