samplerSequencer vs KIZUNA Sampler & Beat Maker

"samplerSequencer" turns your device into a sampler sequencer for professional musicians and composers. Just record a single sound / voice / special effect "A note" using the samplerSequencer audio recording feature (using the internal microphone of the device) or import the sound into the device through synchronization (using the iTunes software for Mac or PC) or with copy / paste using the technology "iTunes File Sharing" and samplerSequencer will create for you the whole scale of sounds and assign them to the virtual keyboard (n octaves) of samplerSequencer, so you can record an audio track using the sequencer recording feature of samplerSequencer (the sequencer records for you every note played by you). samplerSequencer operates with seven independent sound tracks, each with its own sampled sound (assignable to a track). You can then record a track at a time (using the virtual keyboard or by writing different notes by hand) and then listen all the tracks together using the sequencer play feature. The sampleSequencer "all tracks view" and "selected track view", the ability to manually enter a note or put it through the virtual keyboard, the ability to delete unwanted notes, to touch a note and change its position, length and the type of the note (note shift), the ability of including sequencer events such as pitch bending and many other features make samplerSequencer a professional sequencer like the most popular sequencers for Mac or PC. The software is able to read the common audio files (WAV, MP3, CAF, etc...) so you can create your own sound (you only need one audio file) using standard wave editor for Mac or PC and samplerSequencer will create automatically for you the musical instrument. You can also import a song from the iTunes library on the device and by controlling "SAMPLE START POSITION" you can select a sound by extracting it from the imported song: samplerSequencer will automatically create the complete musical instrument for you. You can import a song from iTunes and assign it to a track, and using the other tracks you can play your track over the imported song… the sequencer will play the song combined with your sound tracks. With samplerSequencer you will have in your pocket the smallest existing sampler and sequencer! Features: - Import any sound and samplerSequencer generates for you the entire scale of sounds (n octaves) - Storing infinite sound samples using the archive of sound ("Samples Archive") of samplerSequencer - Virtual Keyboard - Control for increase / decrease the keyboard octave (usable in real time) - "Bending control" to change the sound in real time - "Sample Start Position" control:     you can remove the initial part of a sample (ex. silence) by specifying the start time position of the sample (CUT FEATURE) - "Sustain Pedal" control - Multi keyboard voices (64 entries) - Default "GRAND PIANO" sample - Ability of “recording” of musical patterns during live performances - sequencer with 7 independent tracks (you can assign to each track a different sampled sound) - MUTE function to turn off unwanted tracks (PLAY MUTE feature) - Independent VOLUME for each track (SEQUENCER MIXER) - View "all-track view ": it will display all the tracks simultaneously - View "PIANO ROLL": it will display the notes for the selected track - Function touch a note and change its parameters of position, duration, and type of the note - Function touch / drag to remove one or more notes - Function touch / drag to remove unwanted events (pitch bending, etc...) - Metronome - Beat control for the sequencer (it can be disabled) - "samplerSequencer internal archive" to store all the user-sampled sounds (infinite sound presets) - Infinite number of projects can be saved in the "projects archive" of samplerSequencer - NOTE QUANTIZATION for selected track - SEQUENCER PLAY LOOP from start position (PLAY FROM) to end position (PLAY TO) - EDIT WINDOW FOR EVENTS

It records for exactly as long as you hold the pad. Open a record screen, record, then decide which pad the sound belongs on — and by the time you have done all that, the sound you wanted has already happened. In KIZUNA you hold a pad, it records while you hold it, and when you let go the sound is already there, on that pad. One decision instead of three. From the thing you caught to the finished track, on an iPhone or an iPad. The sampler, the sequencer, the effects and the export all live in the same place. CAPTURE - Record from the microphone, a line input, or KIZUNA's own output (resample) - Threshold auto-start waits for the sound and begins on its own - A short pre-roll is kept, so the transient itself is never clipped - Import from the Files app, iCloud Drive, or any other cloud provider CHOP - EQUAL by division, ATTACK by detected onsets, or LIVE by tapping while it plays - Slices land straight across a bank, one per pad - A share of them can come out reversed, so the loop stops sounding like the record it came from SO IT DOESN'T SOUND PROGRAMMED - DRIFT moves the pitch and level a little on every hit - VEL > FILTER makes softer hits darker, not merely quieter - FEEL adds timing and velocity looseness, seeded from the pattern itself — the same groove plays back the same way every time, and a bounce matches what you heard - LO-FI KIT: dusty drums, a Rhodes, an upright bass, a vinyl bed, a tape stop BUILD - A 96 PPQN sequencer, 1 to 99 bars, 99 patterns per bank - Swing is stored separately for eighths, sixteenths and thirty-seconds, so dialling one in never disturbs another - Each bank can run its own pattern length — two bars of drums under four bars of chords - 99 scenes and a 99-position song chain - Knob movements are written into the pattern, so a filter sweep follows the part it was written for SHAPE IT — 41 EFFECTS - Per-pad inserts: 19 types across 2 slots (filters, drive, crush, phaser, flanger, ring mod and more) - Send effects: 6 types on 2 buses, so delay and reverb can run at once - Performance effects: 16 momentary types, held down, several at a time, with a downward drag for pressure - A four-slot master chain: VINYL, TAPE, SHELF EQ, LIMITER - Four time-stretch algorithms, chosen per pad: REPITCH, BEATS, TONAL, TEXTURE GRAB A BAR - Capture the last quarter-bar to four bars of the output and hold it, tempo-locked - Not a sample loop — whatever the machine just played - Length and position can both be moved while it runs EXPORT - Ableton Live Set (.als) - DAWproject for Bitwig Studio, Studio One and Cubase - Tempo-correct stems, MIDI for the parts, and written import steps for FL Studio, Logic Pro and GarageBand - WAV of a single pad, of the mix, or per-bank stems — all the same length, all starting at the same instant - Bounces run the same engine as playback, offline. There is no separate render path to drift away from what you heard CONNECT - Includes a KIZUNA AUv3 instrument. Installing the app registers it with Logic Pro, GarageBand, AUM, Cubasis and other hosts on the same device - Core MIDI in and out over USB, Bluetooth and network, plus KIZUNA's own virtual port - MIDI clock received and sent, with start and stop PRIVACY No account. No ads, no analytics, no tracking. The app contains no networking code at all, so your recordings and projects stay on your device — or in your own iCloud Drive, if you put them there. SPECIFICATION - 4 banks of 16 pads (switchable to a 3x4 grid), 24 voices, choke groups - 48 kHz, 32-bit float internally, 24-bit WAV on export - Recording capped at 40 seconds mono, 20 seconds stereo - Both starter kits are synthesised inside the app, so nothing you release from them carries a sample licence - iPhone and iPad, iOS 18.0 or later The interface is currently in English; other languages are planned.